Todd Rundgren
Todd Rundgren
Todd Harry Rundgrenis an American multi-instrumentalist, songwriter, and record producer. Hailed in the early stages of his career for both his own material and for his production of other artists, supported by the certified gold solo double LP Something/Anything? in 1972, his career has produced a diverse and eclectic range of recordings often both as a solo artist and as a member of the band Utopia. Rundgren has often been at the forefront as a promoter of cutting edge recording...
NationalityAmerican
ProfessionRock Singer
Date of Birth22 June 1948
CityUpper Darby, PA
CountryUnited States of America
The Toddstock thing is the closest thing, I have to say, a Grateful Dead sort of thing where it all lapses over from the formality of a concert into more of a lifestyle thing.
When I got out of high school, I was in a blues band. It was the kind of music I was interested in, and listening to, mostly because it was becoming a vehicle for a generation of guitarists - like Jeff Beck and Eric Clapton. Mike Bloomfield. And that's what I wanted to be, principally: a guitar player.
While I used to make my living principally as a record producer, as time went on, I had to depend more and more on my live performances because of the evolution of the record industry, which has de-emphasized what made it possible to make a living.
All it takes to become president is money and a certain kind of power. Being president is the first thing I can shoot for, not the highest. It may come to a point where people take rock and roll musicians more seriously than they take politicians. It may eventually turn out that musicians have more credibility.
By the time my first solo record came out, I was making a handsome living as a record producer. I had worked with the Band, Janis Joplin and all of these other artists in the Albert Grossman organization. So as my so-called solo career evolved, I never felt pressure that I had to come back and top when I might've done before.
So there was a way for you to get promoted and survive as an artist without worrying about AM radio hits.
Before there were any sort of 'recordings' there was performance. If we are devolved back to the Stone Age tomorrow, there will be performance.
When I got out of high school, I joined a local blues band in Philadelphia - Woody's Truck Stop.
Kids don't want to dye their whole head another color; that's what their mothers do.
Because of the way the record business has kind of stumbled and disintegrated, in a way, you're as likely to sell records at your merch table at your gigs as you are to sell them in a regular record outlet or even online.
I think there are always people who, when they get the bug to play an instrument, they want to get as good as they can with it rather than just be simply adequate at it. You run into them every once in a while - some kid who wants to be the next Stevie Ray Vaughan, for whatever reason, and plays exactly like him.
I write in a very strange way. Things are very fragmentary for a very long time, and then they come together very quickly near the end of the process.
The New York Dolls did not think of themselves as punk rock. There was no such term at the time. They were just another band in what was called the New York scene.
I can't stand Beyonce. The way she sells it so hard, constantly. Everything is shoved right in your face. Like, you don't have the sense to make a judgment of your own.