Tom Stoppard
Tom Stoppard
Sir Tom Stoppard OM CBE FRSLis a British playwright and screenwriter, knighted in 1997. He has written prolifically for TV, radio, film and stage, finding prominence with plays such as Arcadia, The Coast of Utopia, Every Good Boy Deserves Favour, Professional Foul, The Real Thing, and Rosencrantz and Guildenstern Are Dead. He co-wrote the screenplays for Brazil, The Russia House, and Shakespeare in Love, and has received one Academy Award and four Tony Awards. Themes of human rights, censorship and...
NationalityEnglish
ProfessionPlaywright
Date of Birth3 July 1937
CityZlin, Czech Republic
Time is short, life is short, there's a lot to know. So I skip the entertainers in the newspaper now. I just haven't got time.
The possibilities are infinite with new writing; every time you open a new script, there's no limit to what it might contain.
One of the reasons why there are so many versions of Chekhov is that translations date in a way that the original doesn't; translations seem to be of their time.
My family was in Singapore when the Japanese War started. We were in Singapore at the time of Pearl Harbor, and by the beginning of 1942, the Japanese invasion of Burma and Singapore had started.
My father was a doctor in Moravia, in the south of the country. There were a number of Jewish doctors in the hospital there, and at a certain point - almost too late, really, but in time - they were all sent overseas by their employer.
The printed word is no longer as in demand as when I was of the age of pupils or even at the age of the teachers teaching them.
Age is a very high price to pay for maturity.
I'm not a theoretician about playwriting, but I have a strong sense that plays have to be pitched - the scene, the line, the word - at the exact point where the audience has just the right amount of information. It's like Occam's razor.
When I was a reporter in Bristol, which I was between the years 1954 and 1960, the newspaper would get tickets for whoever showed up to play a gig at the big hall down the road, so I saw some wonderful people. The Everly Brothers, for example.
What is the society we wish to protect? Is it the society of complete surveillance for the commonwealth? Is this the wealth we seek to have in common - optimal security at the cost of maximal surveillance?
I don't think falling in love in Slovakia is much different from falling in love in Tunbridge Wells.
That I have the right to express myself freely at all times in all circumstances entails the idea that free speech is a 'basic human right' possessed by each individual, and, as such, trumps the interests of the society or group, including my neighbour.
A 'human right' is, by definition, timeless. It cannot adhere to some societies and not others, at some times and not at other times.
I think... the history of civilization is an attempt to codify, classify and categorize aspects of human nature that hardly lend themselves to that process.