Tom Wilson
Tom Wilson
During the 1960s, this American music producer for Columbia Records and Verve/MGM worked on, among other high-profile projects, Bob Dylan's The Times They Are a-Changin' and Bringing It All Back Home albums; Simon & Garfunkel's Wednesday Morning, 3 A.M. album; and The Velvet Underground's White Light/White Heat album.
NationalityAmerican
ProfessionMusic Producer
Date of Birth25 March 1931
CountryUnited States of America
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Happiness doesn't depend on how much you have to enjoy, but how much you enjoy what you have.
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Mondays are the potholes in the road of life.
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There's no future in spending our present worrying about our past.
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Nobody got where they are today by living for tomorrow.
american-cartoonist
Many of us are more capable than some of us... but none of us is as capable as all of us!
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If I ever had an out-of-body experience - I'd try to come back to a different one.
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Valley doesn't change tremendously from year to year because they do things so well. I think the one thing they do well is just coach the heck out of the kids. We've tried to prepare in a lot of different ways, and a lot of it is anticipation of what you think they will do.
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We couldn't be more thrilled that Callaway Golf has extended its support of the Junior World Championships. We've been very fortunate to have a long-term partnership with Callaway Golf and are looking forward to another three years of working together on this tournament that annually brings to San Diego the largest international field of golfers in the world. The history and prestige of the tournament has been a true measuring stick for junior golf around the world.
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uniquely qualified to discuss an out-of-control culture of corruption.
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We're seeing a very clear indicator that the people of New Jersey have had it.
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When we were big, we were big. But there wasn't anything else. Now there are a thousand other things for people to get into. And this is by far, by far, the biggest I can remember us being.
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Go back to the greens and practice, putting greens and chip.
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If we give up 20 spots in the pro-am to celebrities, that costs us over $100,000.
If we get half, it'll still be catastrophic.