Tony Kushner
Tony Kushner
Anthony Robert "Tony" Kushneris an American playwright and screenwriter. He received the Pulitzer Prize for Drama in 1993 for his play Angels in America: A Gay Fantasia on National Themes. He co-authored with Eric Roth the screenplay for the 2005 film Munich, and he wrote the screenplay for the 2012 film Lincoln, both critically acclaimed movies, for which received Academy Award nominations for Best Adapted Screenplay. For his work, he received a National Medal of Arts from President Barack Obama...
NationalityAmerican
ProfessionScreenwriter
Date of Birth16 July 1956
CityNew York City, NY
CountryUnited States of America
And 'Queer Eye' is fascinating. It has a pinch-me-I'm-dreaming quality. It's very bourgeois, of course, and much more about the liberation of the consumer than the liberation of the democratic citizen.
He was a giant figure in American theater,
The smallest indivisible human unit is two people, not one; one is a fiction. From such nets of souls societies, the social world, human life springs.
Respect the delicate ecology of your delusions.
I'm not religious, but I like God and he likes me.
I work best after the deadline has passed, when I'm in a panic.
The computer, the noise of the computer feels like impatience. It's sort of the sound of impatience to me.
We won't die secret deaths anymore. The world only spins forward. We will be citizens. The time has come. Bye now. You are fabulous creatures, each and every one. And I bless you: More Life. The Great Work Begins.
My whole life has conspired to bring me to this place, and I can’t despise my whole life.
You'll find, my friend, that what you love will take you places you never dreamed you'd go.
One wants to move through life with elegance and grace, blossoming infrequently but with exquisite taste, and perfect timing, like a rare bloom, a zebra orchid... One wants... But one so seldom gets what one wants, does one?
I wish you would be more true to your demographic profile. Life is confusing enough.
In a way, film and television are in the same sort of traumatic trance that print journalism is. The technology has outpaced our comprehension of its implications.