Trent Reznor
![Trent Reznor](/assets/img/authors/trent-reznor.jpg)
Trent Reznor
Michael Trent Reznor, known professionally as Trent Reznor, is an American singer-songwriter, record producer, and film score composer. As a vocalist and multi-instrumentalist, he is best known as the founder and principal songwriter of industrial rock project Nine Inch Nails. His first release under this pseudonym, the 1989 album Pretty Hate Machine, was a commercial and critical success. He has since released eight studio albums. He left Interscope Records in 2007 and was an independent recording artist until signing with...
NationalityAmerican
ProfessionRock Singer
Date of Birth17 May 1965
CityMercer, PA
CountryUnited States of America
I lived a fairly average, anonymous small-town life till I got the idea to do Nine Inch Nails. Then I locked myself in a studio for a year, and then got off the tour bus two years after that, and I didn't know who I'd turned into.
I often find myself listening to a record because a lot of people or magazines have told me it's good and I'm supposed to like it, and I try to stay in touch with what's happening and I'm also a fan of music. I find myself trying to like something that I really don't think is that great.
Today, if you do put out a record on a label, traditionally, most people are going to hear it via a leak that happens two weeks - if not two months - before it comes out. There's no real way around that.
When I'm writing music, I'm not playing a character. I'm not Alice Cooper or Gene Simmons or someone like that, who has acknowledged that they are writing music for a character.
It's not like I ride a broom into interviews. I don't hang upside down with a cape on.
I've watched with a kind of wary eye how gaming has progressed. I was there at the beginning with Pong in the arcade, and a lot of my great childhood memories were around a 'Tempest' machine.
I like the idea of working in an album-sized chunk, you know, and I never looked at Nine Inch Nails as a project that would be a hit-driven, single-based kind of thing.
I aspire to make a record that sounds better 10 listens in than it does after two, and still, at 50 listens, you're picking out things that add a depth and a thoughtfulness to it; there's enough in there that you can still be extracting pieces out of it.
Sometimes we pee on each other before we go on stage.
When Twitter made its way to my radar I looked at it as a curiosity, then started experimenting. I approached that as a place to be less formal and more off-the-cuff, honest and 'human.'
'Downward Spiral' felt like I had an unending bottomless pit of rage and self-loathing inside me and I had to somehow challenge something or I'd explode. I thought I could get through by putting everything into my music, standing in front of an audience and screaming emotions at them from my guts.
I've learned to recognize, a lot of it forced through the process of recovery, that I'm wired wrong in certain ways; the chemical balance of my brain is off in terms of depression a little bit.
I would love to be looked at some day - and I'm not ever saying I'm at this level - but I'd love to be mentioned in the same breath as a Bowie or an Eno. Those are the people that I admire artistically, their career trajectory, the integrity throughout their career, the bravery of their career.
When I was growing up, rock & roll helped give me my sense of identity, but I had to search for it.