Twyla Tharp
Twyla Tharp
Twyla Tharpis an American dancer, choreographer, and author who lives and works in New York City. In 1966, she formed her own company Twyla Tharp Dance. Her work often utilizes classical music, jazz, and contemporary pop music...
NationalityAmerican
ProfessionDancer
Date of Birth1 July 1941
CityPortland, IN
CountryUnited States of America
attending audience classes divide people whether
Dance should not just divide people into audience and performers. Everyone should be a participant, whether going to classes or attending special events or rehearsals.
artist best bits enter happen hope people pieces pull served
No artist is well served in thinking what will happen to their works. The best one can hope is that they'll enter the mainstream, and people will pull bits and pieces from them.
impulses logic needs people piece prompt unable
'Bum's Rush' is a piece about timing, and everything that's in the piece needs to be with the piece. If people are missing, or marking, or unable to use their voices, the impulses that prompt the action are lost, and its logic crumbles.
dancing laws learned learning matter people seriously theater
When I started thinking seriously about learning the rules of narrative, I thought, 'You've learned the rules of dancing from the ballet; what's the matter with learning the laws of theater from the people who know how to do it?'
dream upside-down turns
In dreams, anything can be anything, and everybody can do. We can fly, we can turn upside down, we can transform into anything.
art dancing meaning serious toe
When I was a kid, toe dancing and toe shoes had a meaning in our culture as a serious kind of art.
courage
What we want from modern dance is courage and audacity.
I do at least 75 push-ups a day.
terrifying
Nothing is more terrifying to me, really, than the status quo. I'll make mistakes before I keep doing something the same way.
care english enjoy
I don't hate language. I have my own language, but I also enjoy the English language. Obviously, you don't read a lot of literature and not care about language.
clear dancers forget image strong technique themselves willing
I look for dancers who have all the technique in the world. But they must be dancers who are open-minded, who are willing to forget that they know anything. They also have to be gorgeous; they must have a clear image of themselves and strong personalities.
dances radar sort time
When I started making dances in the '60s, narrative dance was sort of off the radar screen. What was important at the time in the avant-garde was minimalism.
accustomed buy everybody favorite taken theater ticket time until worked
My favorite audience is everybody. I worked in a drive-in theater from the time I was 8 years old until I went to college, and I'm accustomed to everybody can buy a ticket and everybody should be taken into account.
consequences hit looks needs next sell stands tickets work worked
The artist doesn't really think about consequences - he or she does the work, stands back and looks at and thinks, 'Hmm, that could have worked better like this.' But as a person who needs to sell tickets to do the next work, one needs to analyze how it does or does not hit its mark.