Umberto Eco
Umberto Eco
Umberto Eco OMRIwas an Italian novelist, literary critic, philosopher, semiotician and university professor. He is best known internationally for his 1980 historical mystery novel Il nome della rosa, an intellectual mystery combining semiotics in fiction, with biblical analysis, medieval studies and literary theory. He later wrote other novels, including Il pendolo di Foucaultand L'isola del giorno prima. His novel Il cimitero di Praga, released in 2010, was a best-seller...
NationalityItalian
ProfessionNovelist
Date of Birth5 January 1932
CountryItaly
To read fiction means to play a game by which we give sense to the immensity of things that happened, are happening, or will happen in the actual world. By reading narrative, we escape the anxiety that attacks us when we try to say something true about the world. This is the consoling function of narrative — the reason people tell stories, and have told stories from the beginning of time.
The only truth lies in learning to free ourselves from insane passion for the truth.
There, Master Niketas,’ Baudolino said, ‘when I was not prey to the temptations of this world, I devoted my nights to imagining other worlds. A bit with the help of wine, and a bit with that of the green honey. There is nothing better than imagining other worlds,’ he said, ‘to forget the painful one we live in. At least so I thought then. I hadn’t yet realized that, imagining other worlds, you end up changing this one.
He had prepared his death much earlier, in his imagination, unaware that his imagination, more creative than he, was planning the reality of that death.
I think that at a certain age, say fifteen or sixteen, poetry is like masturbation. But later in life good poets burn their early poetry, and bad poets publish it. Thankfully I gave up rather quickly.
I suspect that there is no serious scholar who doesn’t like to watch television. I’m just the only one who confesses
The real hero is always a hero by mistake.
When your true enemies are too strong, you have to choose weaker enemies.
If you want to use television to teach somebody, you must first teach them how to use television.
the first quality of an honest man is contempt for religion, which would have us afraid of the most natural thing in the world, which is death; and would have us hate the one beautiful thing destiny has given us, which is life.
True learning must not be content with ideas, which are, in fact, signs, but must discover things in their individual truth.
The comic is the perception of the opposite; humor is the feeling of it.
Stopgaps do belong to the internal economy of the form, since the Whole requires them, even if only in a subordinate position ... The stopgap Luigi Paryson's 'zeppa' accepts its own banality, because without the speed that the banal allows up, it would slow up a passage that is crucial for the outcome of the work and its interpretation.
All the theories of conspiracy were always a way to escape our responsibilities. It is a very important kind of social sickness by which we avoid recognizing reality such as it is and avoid our responsibilities.