Van Morrison
Van Morrison
Sir George Ivan "Van" Morrison, OBEis a Northern Irish singer, songwriter and musician. He has received six Grammy Awards, the 1994 Brit Award for Outstanding Contribution to Music, and has been inducted into both the Rock and Roll Hall of Fame and the Songwriters Hall of Fame. In 2016 he was knighted for his musical achievements and his services to tourism and charitable causes in Northern Ireland...
NationalityBritish
ProfessionRock Singer
Date of Birth31 August 1945
CityBelfast, Northern Ireland
Joyous Sound evolved from a gospel influence. Actually it evolved out of sitting at a piano and just picking out a riff, a gospel type riff. It just seemed to come joyously-something about the song, about living in another place of joyous sounds. I'm not quite sure-that's one I'm trying to analyze. It just came out.
Whether you're writing a book or a song or whatever, you've got to be involved in it. It's got to come from the heart I think...that's what it's all about.
The thing about albums is just coming up with new material. I just got tired of that syndrome of putting out an album and then some reviewer claims that this song or that song has something to do with x y or z.
Sometimes you do know where the ideas are coming from and sometimes you don't. You might get a song coming through that you just don't know about.
If the spirit comes through in a Madame George type of song, that's what the spirit says. You have very little to do with it. You're like an instrument for what's coming through.
I wrote a couple of songs that had gypsy references in them. The only reason it happened was because that's what was coming through and I liked the idea at that period of time. But that doesn't mean that it's a myth or that I'm a gypsy. It's gotten totally out of context.
[You Got To Make It Through The World] it's kind of a survival song. Survival is what's happening and it's basically a song about that.
That song [You Got To Make It Through The World] came from a vibe I picked up from an old blues singer named Bo Carter. My lady was making a film as a thesis for U.C.L.A. and she wanted me to write a song to depict this character. The movie had something to do with bootlegging and stuff like that. I found this Bo Carter record and he was just saying something about making it to the woods or something like that.
Somebody's going to hear a song that will key in a nerve or something in their experience that represents their own vision. And the next person is going to see it completely different. So even what it means to me is probably irrelevant. It's totally irrelevant. What matters is what it means to each person listening to it.
I think I opened up an area with Astral Weeks that hit a lot of peoples' nerves. But you can't really say that they're my favorite songs.
The music I really like to get off on is the old rhythm 'n' blues and rock 'n' roll stuff...that's what I really dig. And I also dig to sing ballads as well. And I also dig writing my own songs. I was just trying to find a way of integrating the whole thing, taking a look at the total picture.
You have to remember that writing those sorta songs is not reality, it's more like trance, dream, y'know, like dreamwork. The mythical thing can enter the creating but there's the mythical place and the real place. And there's both...I get it between waking and sleeping. Or, when I'm doing something else. I don't sit down and think I'm gonna write about subject X or subject Y. I could be doing something and an impression comes in from outside and the song emerges out of that. It's never thought about or contrived.
The Eternal Kansas City song came from a dream sequence. It was actually kind of weird. I had this dream about a Kansas City type of thing while I was up at Stevie Winwood's place near Cheltenham, in Britain. I went into this small town and I was walking along and this dream thing was still in my head.
If you're a pop singer, you don't need to evolve. You just get a set together, have some hit songs and play them over and over.