Victor Hugo
Victor Hugo
Victor Marie Hugo; 26 February 1802 – 22 May 1885) was a French poet, novelist, and dramatist of the Romantic movement. He is considered one of the greatest and best-known French writers. In France, Hugo's literary fame comes first from his poetry and then from his novels and his dramatic achievements. Among many volumes of poetry, Les Contemplations and La Légende des siècles stand particularly high in critical esteem. Outside France, his best-known works are the novels Les Misérables, 1862,...
NationalityFrench
ProfessionNovelist
Date of Birth26 February 1802
CityBesancon, France
CountryFrance
My childhood began, as everybody's childhood begins, with prejudices. Man finds prejudices beside his cradle, puts them from him a little in the course of his career, and often, alas! takes to them again in his old age.
A poet who is a bad man is a degraded being, baser and more culpable than a bad man who is not a poet.
Thought is more than a right - it is the very breath of man. Whoever fetters thought attacks man himself. To speak, to write, to publish, are things, so far as the right is concerned, absolutely identical. They are the ever-enlarging circles of intelligence in action; they are the sonorous waves of thought.
Anger may be foolish and obsurd, and one may be irritated when in the wrong; but a man never feels outraged unless in some respect he is at bottom right.
A man is not idle because he is absorbed in thought. There is visible labor and there is invisible labor.
The first symptom of love in a young man is shyness; the first symptom in a woman, it's boldness.
We are reassured almost as foolishly as we are alarmed; human nature is so constituted.
You would have imagined her at one moment a maniac, at another a queen.
Do you hear the people sing? Singing a song of angry men
The owl goes not into the nest of the lark.
To reform a man, you must begin with his grandmother
Verse in itself does not constitute poetry. Verse is only an elegant vestment for a beautiful form. Poetry can express itself in prose, but it does so more perfectly under the grace and majesty of verse. It is poetry of soul that inspires noble sentiments and noble actions as well as noble writings.
Love, in the eyes of the world, is either a carnal appetite or a vague fancy, which possession extinguishes or absence destroys. That is why it is commonly said, with a strange abuse of words, that passion does not endure.
In the French language, there is a great gulf between prose and poetry; in English, there is hardly any difference. It is a splendid privilege of the great literary languages Greek, Latin, and French that they possess a prose. English has not this privilege. There is no prose in English.