Victor LaValle
Victor LaValle
Victor LaValleis an American author who was raised in the Flushing and Rosedale neighborhoods of Queens, New York. He is the author of a short-story collection, Slapboxing with Jesus and three novels, The Ecstatic, Big Machine and The Devil in Silver. LaValle writes fiction primarily, though he has also written essays and book reviews for GQ, Essence Magazine, The Fader, and The Washington Post, among others...
NationalityAmerican
ProfessionAuthor
Date of Birth3 February 1972
CountryUnited States of America
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In the past, a writer had to go outside and get to know others before learning about their work, but the Internet has made humanity more accessible for misanthropes like me. I read blogs, tweets, Facebook posts and Reddit threads where people detail their jobs.
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Miniature golf, like billiards, is a game of angles. And, like billiards, most of the fun is in pretending you know what the hell you're doing. The worse you do, the more you have to laugh.
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On June 23, 1864, Ambrose Bierce was in command of a skirmish line of Union soldiers at Kennesaw Mountain in northern Georgia. He'd been a soldier for three years and, in that time, had been commended by his superiors for his efficiency and bravery during battle.
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One of the most widely read novels by a black American is Ralph Ellison's 'Invisible Man.' It is his masterwork - it won the National Book Award in 1953 and catapulted my man to the highest levels of literary esteem.
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One of the reasons I love devils so much is not based in my faith, but because as a kid, I grew up loving heavy metal and horror movies, and the devil is such a huge presence in both.
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One of the things that doesn't come up as much as it should, especially in literary fiction, is this idea of faith and God... I feel like those are things that should be wrestled with... because they are such an integral part of our community on every level.
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Our family suffers from a hereditary condition called, generally, mental illness. Specifically, multiple family members in successive generations have suffered from either bipolar disorder or schizophrenia.
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Shirley Jackson enjoyed notoriety and commercial success within her lifetime, and yet it still hardly seems like enough for a writer so singular. When I meet readers and other writers of my generation, I find that mentioning her is like uttering a holy name.
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Social media give me the privilege of learning about more people than I could meet in my whole life. Taken together, the Internet reads like the grandest character-driven novel humanity has ever known. Not much plot, though.
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'The Ballad of Black Tom' was written, in part, during the latest round of arguments about H. P. Lovecraft's legacy as both a great writer and a prejudiced man. I grew up worshipping the guy, so this issue felt quite personal to me.
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'The Devil's Dictionary' reads like a collection of great Twitter posts. And as people do with tweets, they can swipe Bierce's best lines and recite them as nearly their own. The reflected glory of reposting.
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The journalistic endeavor - at least theoretically - is grounded in objectivity. The goal is to get you to understand what happened, when and to whom.
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The people I am most interested in are the ones on the edge of losing everything and falling into the last bit of despair. I'm trying to write about how people exist on that edge and how they can come back.
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The project of Ralph Ellison's 'Invisible Man' is exactly that: to assert the beautiful, bountiful, chaotic complexity of one black American male. And, by extension, all black American males.