Vincent Canby
Vincent Canby
Vincent Canbywas an American film and theatre critic who served as the chief film critic for The New York Times from 1969 until the early 1990s, then its chief theatre critic from 1994 to 2000. He reviewed more than 1000 films during his tenure there...
NationalityAmerican
ProfessionCritic
Date of Birth27 July 1924
CountryUnited States of America
brando character connected embarrass finally
Marlon Brando has finally connected with a character and a film that need not embarrass America's most complex, most idiosyncratic film actor.
feelings events fiction
Good fiction reveals feeling, refines events, locates importance and, though its methods are as mysterious as they are varied, intensifies the experience of living our own lives.
time forever acting
[His acting] remains forever fixed in a time that never dates.
technology color shapes
Like Godard, Tati is also remarkably appreciative of the odd beauty that can be revealed in the shapes, patterns and colors created by the technology of planned obsolescence.
satisfaction wheels roulette
She was a woman attempting to make some sense of, and get some satisfaction from, a life that seemed to have no more logic than a roulette wheel.
dream thinking play
There's no doubt about it. Arcadia is Tom Stoppard's richest, most ravishing comedy to date, a play of wit, intellect, language, brio and, new for him, emotion. It's like a dream of levitation: you're instantaneously aloft, soaring, banking, doing loop-the-loops and then, when you think you're about to plummet to earth, swooping to a gentle touchdown of not easily described sweetness and sorrow.
shopping cheerful taste
The solemnity of the annual Nobel ceremonies in Stockholm with the cheerful bad taste of the grand opening of a shopping center in Los Angeles.
might teeth dental
It is guaranteed to put all teeth on edge, including George Washington's, wherever they might be.
maturity childhood leaving
Radio wasn't outside our lives. It coincided with and helped to shape our childhood and adolescence. As we slogged toward maturity, it also grew up and turned into television, leaving behind, like dead skin, transistorized talk-radio and nonstop music. . . .