Wes Craven
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Wes Craven
Wesley Earl "Wes" Cravenwas a prolific and influential American film director, writer, producer, and actor known for his pioneering work in the genre of horror films, particularly slasher films. Due to the success and cultural impact of his works in the horror film genre Craven has been called the "Master of Horror"...
NationalityAmerican
ProfessionDirector
Date of Birth2 August 1939
CityCleveland, OH
CountryUnited States of America
Everyone from Tom Cruise to Jude Law was talked about for this role - and not everyone was available, and some we couldn't afford.
I said, 'I don't know how to write a scary movie,' and he told me, 'Just pull all the skeletons out of your closet,' ... Over the weekend, I wrote The Last House on the Left , and those guys (in Boston) loved it. We shot it in 16 mm. It caused a firestorm of controversy, and off I went.
The audience that would see that movie, by and large, doesn't go to see horror films, ... It was a great pleasure to make, and to see Meryl (Streep) nominated (for a best actress Oscar) for it. But most of the people I run into who loved it are surprised that I made it. When you have a name that means scares, you have to live with that.
I just feel it takes just one picture where it becomes common knowledge that Craven can do other things,
Everybody's making horror films and, to me, not especially well. I don't know if it's (due to) the corporations taking over studios or what it is. But it really calls for some young filmmakers to come in and just do something from their hearts.
For me with all this stuff, both the horror films and thrillers like this, the most interesting thing is what goes on inside people's heads, ... The rest is just the setting. She is sort of trapped in her seat, with this guy a few inches apart watching her facial expressions for clues about what she is going to do and it is just so oppressive. Even when he lets her go to the bathroom she doesn't get long to unwind.
The monsters are a little silly because they had no money, so obviously they can't show them for very long, ... But the film itself is a romp; a very bloody, goofy, scary one.
My whole family still lives there, ... I mean, where is Cleveland anymore? They're in Cleveland Heights, Burton, Willoughby, places like that. Mostly all over the eastern suburbs.
That's how this (movie) felt to me, a real director- actors' piece, with two people just sitting in airplane seats. It's gripping.
Rachel was one of the early names that came up. As soon as we started thinking about her, we really got excited. She has a quality that is missing in a lot of American girls now. You know, just a sense of wholesomeness. And I had seen her movies and I thought they showed such range. At one moment, she's doing 'Mean Girls,' which is sort of high-level comedy, in a way, and then she's doing this really beautiful love story.
It's a thriller, it's definitely not a horror film, but it has enough of the elements that also work in horror films like suspense.
Horror films don't create fear. They release it.
The first monster that an audience has to be scared of is the filmmaker. They have to feel in the presence of someone not confined by the normal rules of propriety and decency.
All of us have our individual curses, something that we are uncomfortable with and something that we have to deal with, like me making horror films, perhaps.