Wes Craven
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Wes Craven
Wesley Earl "Wes" Cravenwas a prolific and influential American film director, writer, producer, and actor known for his pioneering work in the genre of horror films, particularly slasher films. Due to the success and cultural impact of his works in the horror film genre Craven has been called the "Master of Horror"...
NationalityAmerican
ProfessionDirector
Date of Birth2 August 1939
CityCleveland, OH
CountryUnited States of America
Dad, girls don't fall down every time they run.
I wasn't allowed to see movies when I was a child. It was against the religion I was raised in, Fundamentalist Baptist. I didn't go into a commercial movie house until I was a senior in college, and that was on the sly. It wasn't until I was in graduate school that I immersed myself in films. Then, I went to see all the films by Bergman, Fellini, etc.
I came to terms with living mostly in a world of horror pictures or genre pictures. I have had a few chances to get outside and do something different, like Paris, Je T'Aime or Music Of The Heart, but mostly it's been my lot. And to have created, with a few shocking films, an awareness or a perception of me as somebody dangerous and scary - that can be sold, but trying to sell me for some other kind of picture, like Music Of The Heart, was very difficult.
Many, many things are dangerous in our world, commercials and TV are dangerous, and so is the world of sitcoms. But nobody does anything about them because they're turning in alot of money.
A collection of masks, depicting historical figures in life and what I like to call the eternal repose.
I love the fact that a lot of my audience is people from the inner city. African-Americans love my films.
I did have the resource of having taught Greek mythology and the history of Western civilization, and you can go back into the plays of Aeschylus and follow what happens when people seek revenge, and there are people plucking their eyes out. And Greek mythology is filled with all kinds of monsters and whatnot.
I make something I can look at and say, "That's a good piece of work, and there's some terrific directing and acting in it, and you should be proud of it."
I'm having a reputation of being somebody who will not be crazy. Not descend to doing drugs and spending an enormous amount of money, and instead delivering a product to people. Something they can sell and recoup their money and make a profit.
There was a generation of kids who were just kind of emulating distant heroes and wearing peace symbols, and parents who were thinking of themselves as liberal and removed from barbarity, but it also was the era of Vietnam. I very much was influenced - and I think the whole country was kind of in a state of shock - for the first time seeing the horror and cruelty of war.
Last House offended a lot of people. The results in the theaters, even in Boston, reminded me a bit of things from when I was studying theater of the absurd, and the rise and the appearance of Ionesco plays, and things like that. Thinking, "My God, people actually are getting into fistfights. People are having heart attacks. People are actually trying to get into the projection booth to destroy the print."
I came from a very strict background. [So if you want to make a scary movie] if you were raised as a fundamentalist, just pull all the skeletons out of your closet.
We have a romantic comedy, a road picture and a period piece that I've developed over the years, ... Now we're just putting them out there for consideration (by investors).
There is an emotionality and vulnerability. She knows what is of value and what is not. And for another thing, she's a legend in her own time. I think everyone in Hollywood takes her very seriously.