Wes Craven
Wes Craven
Wesley Earl "Wes" Cravenwas a prolific and influential American film director, writer, producer, and actor known for his pioneering work in the genre of horror films, particularly slasher films. Due to the success and cultural impact of his works in the horror film genre Craven has been called the "Master of Horror"...
NationalityAmerican
ProfessionDirector
Date of Birth2 August 1939
CityCleveland, OH
CountryUnited States of America
I said, 'I don't know how to write a scary movie,' and he told me, 'Just pull all the skeletons out of your closet,' ... Over the weekend, I wrote The Last House on the Left , and those guys (in Boston) loved it. We shot it in 16 mm. It caused a firestorm of controversy, and off I went.
So then it's a matter of, do you want to make movies? Yeah. Then you're going to make scary movies. So it was like, how do I make the best scary movies I can, movies I would like to see? I never went out of my way to make a single one. I don't particularly like them. My conviction is that I can do any kind of film.
The monsters are a little silly because they had no money, so obviously they can't show them for very long, ... But the film itself is a romp; a very bloody, goofy, scary one.
After that, everybody-assumed I must be a terrifying person who lived in a cave. We both tried to make other kinds of films, but we couldn't get any money. They were offering us money to make scary movies, so I went off and made The Hills Have Eyes , and Sean went off and did Friday the 13th ,
I wrote, I think, half a dozen films that were completely out of genre. Comedies, love stories, even one serious film about Vietnam, and we couldn't get backing for any of it. And we both sort of drifted from making, at that time, serious money on Last House to going through it all in the course of almost three years and only getting offers to do something scary again.
I came from a very strict background. [So if you want to make a scary movie] if you were raised as a fundamentalist, just pull all the skeletons out of your closet.
I came to terms with living mostly in a world of horror pictures or genre pictures. I have had a few chances to get outside and do something different, like Paris, Je T'Aime or Music Of The Heart, but mostly it's been my lot. And to have created, with a few shocking films, an awareness or a perception of me as somebody dangerous and scary - that can be sold, but trying to sell me for some other kind of picture, like Music Of The Heart, was very difficult.
Without being on the set, I was very closely involved.
My whole family still lives there, ... I mean, where is Cleveland anymore? They're in Cleveland Heights, Burton, Willoughby, places like that. Mostly all over the eastern suburbs.
For me with all this stuff, both the horror films and thrillers like this, the most interesting thing is what goes on inside people's heads, ... The rest is just the setting. She is sort of trapped in her seat, with this guy a few inches apart watching her facial expressions for clues about what she is going to do and it is just so oppressive. Even when he lets her go to the bathroom she doesn't get long to unwind.
If we shot them from the front, we had to be peering over the heads of the passengers in front of them.
There is an emotionality and vulnerability. She knows what is of value and what is not. And for another thing, she's a legend in her own time. I think everyone in Hollywood takes her very seriously.
I don't know where the limits of her range are. I certainly didn't find them.
She has a quality that is missing in a lot of American girls now ...