William Gibson
![William Gibson](/assets/img/authors/william-gibson.jpg)
William Gibson
William Ford Gibsonis an American and Canadian speculative fiction writer and essayist widely credited with pioneering the science fiction subgenre known as cyberpunk. Beginning his writing career in the late 1970s, his early works were bleak, noir, near-future stories that explored the effects of technology, cybernetics, and computer networks on humans—a "combination of lowlife and high tech"—and helped to create an iconography for the information age before the ubiquity of the Internet in the 1990s...
NationalityAmerican
ProfessionNovelist
Date of Birth17 March 1948
CityConway, SC
CountryUnited States of America
William Gibson quotes about
There is always a point at which the terrorist ceases to manipulate the media gestalt. A point at which the violence may well escalate, but beyond which the terrorist has become symptomatic of the media gestalt itself. Terrorism as we ordinarily understand it is innately media-related.
Cyberspace is where you are when you're on the telephone.
You needed a new pancreas. The one we bought for you frees you from a dangerous dependency.” “Thanks, but I was enjoying that dependency.
He took a duck in the face at 250 knots.
Somewhere, deep within her, surfaces a tiny clockwork submarine. There are times when you can only take the next step. And then another.
It doesn't matter how fast your modem is if you're being shelled by ethnic separatists.
The future's here already. It's just unevenly distributed.
The past is past, the future unformed. There is only the moment, and that is where he prefers to be.
Upon arriving in the capital-F Future, we discover it, invariably, to be the lower-case now.
Some very considerable part of the gestural language of public places that had once belonged to cigarettes now belonged to phones.
Enlightenment is "being," and it grows; it's end is serenity.
Television has - particularly at the HBO level in the United States - become a completely new genre. Something like Deadwood or The Wire is a whole new thing - there was no equivalent to that medium before. It's like a new way of telling stories.
I can see television much more easily than I can see features, because the economy and politics of making big, big features seems to me to be narrowing even from what it was.
I'm interested in people who become culturally fluent. And when I meet young people I'm often amazed they don't quite seem to have a sense of where they're from. They're like the citizens of the airport.