William S. Burroughs
William S. Burroughs
William Seward Burroughs IIwas an American novelist, short story writer, satirist, essayist, painter, and spoken word performer. Burroughs was a primary figure of the Beat Generation and a major postmodernist author who wrote in the paranoid fiction genre, and his influence is considered to have affected a range of popular culture as well as literature. Burroughs wrote eighteen novels and novellas, six collections of short stories and four collections of essays. Five books have been published of his interviews and...
NationalityAmerican
ProfessionWriter
Date of Birth5 February 1914
CountryUnited States of America
William S. Burroughs quotes about
To concern yourself with surface political conflicts is to make the mistake of the bull in the ring, you are charging the cloth. That is what politics is for, to teach you the cloth. Just as the bullfighter teaches the bull, teaches him to follow, obey the cloth.
I don't have any politics. I feel that as soon as politics arises, things are already in a hopeless state of deterioration.
The more absolute the need, the more predictable the behavior becomes until it is mathematically certain.
All political organizations tend to function like a machine, to eliminate the unpredictable factor of affect - emotion.
How far would people get in physics if discovery was described as disgusting - "Your formula is disgusting and filthy"? Not very far.
I took a shot of morphine, liked it, and eventually became addicted. It takes quite a while. It took me three months the first time. This nonsense of people becoming addicted with one shot is medically unsound.
[Death is] a gimmick. It's the time-birth-death gimmick. Can't go on much longer, too many people are wising up.
I feel that opiates - I include opium and all its derivatives, such as morphine, heroin, pantopon, etc. - are quite useless for any sort of creative work, useful though they may be for routine work. Much of the hard physical work in the Far East is done by opium addicts.
The consciousness-expanding drugs - the hallucinogens, such as cannabis, mescaline, LSD, Psylocybin - I think are useful to a writer up to a certain point. That is, they open psychic areas that would not otherwise be available to the writer. But I feel that once these areas have been opened and the writer has reached them, he is able to get back there in the future without the drug.
I think if a writer is not endeavoring to expand and alter consciousness in himself and in his readers, he is not doing much of anything. It is precisely words, word lines, lines of words and images, and associations connected with these word and image lines in the brain, that keep you in present time, right where you are sitting now.
Mr. Bradley-Mr. Martin is two people because it is a statement of the impasse of dualistic universe which he has created, they have created. I think that any dualistic universe ends in Nova. Mr. Bradley-Mr. Martin is a kind of God. A God of stupidity, cowardice, ugliness.
When you get to be my age there are more and more people you have known that you miss. Brion [Gysin], Antony Balch, Ian Summerville are ones I think of right away I was quite close to.
I was thinking about New Mexico, and I rounded the corner in New York, and there was a New Mexico license plate: "New Mexico, land of enchantment."
I feel that the change, the mutation in consciousness, will occur spontaneously once certain pressures now in operation are removed. I feel that the principal instrument of monopoly and control that prevents expansion of consciousness is the word lines controlling thought, feeling and apparent sensory impressions of the human host.