William Scott
William Scott
American actor who played the role of Stanley Kuznocki in the television sitcom The Steve Harvey Show from 1996 until 2002. He also appeared in films such as October Sky and The Butterfly Effect.
NationalityBritish
ProfessionTV Actor
Date of Birth6 July 1973
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On occasion I have drawn as a release from painting. The economy in using paper, pencil, charcoal and crayon can help towards a greater gamble and higher rewards. I also find that drawing can generate ideas more rapidly than painting.
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I no longer worry whether a painting is about something or not. I am only concerned with the expectation, from a flat surface, of an illusion.
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The one thing you've got to say about Columbia is that it has courses that are famous. It has alumni who come back and say it was the best thing they ever did.
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The British system had requirements, including Latin. I'm not positive you ever had to know Greek, but there are certainly kinds of curricula where you had to know Greek too. I think in Britain there was the most mindless, repetitive sort of learning.
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For a Classicist, one must learn to ask the questions in the way that a pagan society did. I think it's very important and tough for many of us who grew up in a Judeo-Christian society.
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I think he's much funnier in many ways than some of the things that I've done. Because it's a little bit more layered. He's constantly trying to teach Luke what he thinks are really deep philosophical ideas, but they're really simple.
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I thought it would be a lot of fun and I wasn't going to do the movie without Johnny. The studio suggested a couple people, and I'd never met Johnny, but I thought we'd be a perfect team for this movie because we're both a little bit unpredictable.
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We have the best driver in the world in drifting and best guy in rally racing and stuff like that. So obviously there's a lot of stuff that I didn't do, but there's a lot of really incredible things that I don't think we've ever seen an actor do.
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You know, I've always wanted to do dramas. When I moved to L.A., that was my dream, because I never really grew up watching comedies, although of course I loved 'Dumb & Dumber.'
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I am an abstract artist in the sense that I abstract. I cannot be called non-figurative while I am still interested in the modern magic of space, primitive sex forms, the sensual and erotic, disconcerting contours, the things of life.
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We don't have any CGI with any of the car stuff. I think it's a real experience when you see this car going through really fast really wild and you see me driving a lot of the times and also a big chase in downtown Atlanta. It's just incredible.
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So the first thing that I thought about was, 'How is this car going to handle?' But then after I'd been driving with it and practicing with it and I accomplished that, then I just kind of sat back.
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In L.A. everyone is in the entertainment industry, so you're forced to think about work.
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I don't want to get home from work and wonder if I could have done better if I didn't go out that night. What you're doing is going to go on the big screen and go down in history.