Agnes Varda
Agnes Varda
Agnès Vardais a Belgian film director. Her films, photographs, and art installations focus on documentary realism, feminist issues, and social commentary with a distinct experimental style...
NationalityFrench
ProfessionDirector
Date of Birth30 May 1928
CountryFrance
thinking years long
I think I did fifteen long features and fifteen documentaries, or something like this, which is very little when you think of people making a film every year. Some people have done fifty or sixty films.
years ideas important
I waited for each film to become important for me. If I had no ideas for a film, I didn't do a film. So I made not that many films for fifty-four years of working.
book literature found
I have respect for literature. If he found the words, if she found the words - this is a book!
beautiful stars book
I didn't have a list of things I should do this year, next year, find a good novel, sign two stars and make a deal - because I think cinema should come from cinema. I never adapted anything. Beautiful books are beautiful books, that's it. I don't know why we should transform them.
cinema aim
At that time, when I started, in the '50s, cinema was very classical in its aims.
virginia years people
When I saw what painting had done in the last thirty years, what literature had done - people like Joyce and Virginia Woolf, Faulkner and Hemingway - in France we have Nathalie Sarraute - and paintings became so strongly contemporary while cinema was just following the path of theater. I have to do something which relates with my time, and in my time, we make things differently.
strong directors needs
You have to be strong to be a carpenter, maybe, but the director of a film doesn't need to have muscles.
strong ocean thinking
I never fought, I never learned kung fu or boxing, I never went into these sportif competitions. I wouldn't cross the ocean. I think it's ridiculous to take such risk. But look, people love to do that. But I was not afraid of doing things I wished to do. I did not think that woman would be restrained. I never saw that, especially not in filmmaking, where you don't have to be strong.
brother thinking way
I was a photographer first.I worked alone. I did it my way as much as I could. I have been sort of courageous about doing things, because I didn't think I should do less than my brothers.
people trying cinema
I don't try to make a place in history at all! People put me in the history of cinema because my first film, La pointe-courte, was so ahead of some other filmmakers. Many filmmakers have made resurgent work, and I was just a little ahead of the time.
thinking careers world
I had a world. I don't think I had a career. I made films.
cutting hair people
I made a braid because Chinese old people, they say that the God will take you by the hair to join you with - but God didn't take me, so I cut the braid.
hate i-hate should
I should say nothing! I'm through with it! I hate to repeat myself all the time.
mean reality trying
I tried to find a language for the film - not just telling stories. I picked the Picasso painting because it said more than I could explain. I need images, I need representation which deals in other means than reality. We have to use reality but get out of it. That's what I try to do all the time.