Agnes Varda
Agnes Varda
Agnès Vardais a Belgian film director. Her films, photographs, and art installations focus on documentary realism, feminist issues, and social commentary with a distinct experimental style...
NationalityFrench
ProfessionDirector
Date of Birth30 May 1928
CountryFrance
people being-different trying
I'm interested in people who are not exactly the middle way, or who are trying something else because they cannot prevent themselves from being different, or they wish to be different, or they are different because society pushed them away.
people trying cinema
I don't try to make a place in history at all! People put me in the history of cinema because my first film, La pointe-courte, was so ahead of some other filmmakers. Many filmmakers have made resurgent work, and I was just a little ahead of the time.
knowing people trying
I'm myself - knowing I'm doing a documentary and speaking with the people, telling them I have a bed, that I can eat every day, but I would like to speak to you. And they really gave me wonderful answers. We got along very well without trying to make me look like I'm what I'm not.
school trying wish
I see all these students, and I admire them - they're trying to learn something, they go to school, they do film school, they go on shoots, they help. I'm sure they learn a lot, and some of them, it makes them aware of what they wish to do. I was - that's the way I was - autodidact.
coffee people trying
I try to do nothing. I drink rosemary when I have a lot of work to do. People take coffee, they take speed, whatever. I take rosemary.
spring adventure trying
I've always been like this - trying to find adventure where it's still in its first élan - the first spring.
people trying stories
I'm trying to capture something more fragile than a regular story. I love what people bring me.
mean reality trying
I tried to find a language for the film - not just telling stories. I picked the Picasso painting because it said more than I could explain. I need images, I need representation which deals in other means than reality. We have to use reality but get out of it. That's what I try to do all the time.
strong couple years
The story of a couple is always very fragile, especially over more than thirty years. People know it's not easy, and even though you have strong feeling and desire and endless love, it doesn't always happen.
years ideas important
I waited for each film to become important for me. If I had no ideas for a film, I didn't do a film. So I made not that many films for fifty-four years of working.
people way enjoy
It's a way of living, sharing things with people who work with me, and they seem to enjoy it.
beautiful stars book
I didn't have a list of things I should do this year, next year, find a good novel, sign two stars and make a deal - because I think cinema should come from cinema. I never adapted anything. Beautiful books are beautiful books, that's it. I don't know why we should transform them.
cinema aim
At that time, when I started, in the '50s, cinema was very classical in its aims.
vagabonds world way
You are always in the world. Even in Vagabond. I am not on the road, I am not eating nothing. But in a way we all have a Mona. We all have inside ourselves a woman who walks alone on the road. In all women there is something in revolt that is not expressed.