Anton Corbijn
Anton Corbijn
Anton Johannes Gerrit Corbijn van Willenswaardis a Dutch photographer, music video director, and film director. He is the creative director behind the visual output of Depeche Mode and U2, having handled the principal promotion and sleeve photography for both bands for almost three decades. Some of his works include music videos for Depeche Mode's "Enjoy the Silence", U2's "One", Bryan Adams' "Do I Have to Say the Words? and Nirvana's "Heart-Shaped Box", as well as the Ian Curtis biographical film...
NationalityDutch
ProfessionPhotographer
Date of Birth20 May 1955
Anton Corbijn quotes about
My life changed incredibly when I moved from Holland to England.
I think Amsterdam is to Holland what New York is to America in a sense. It's a metropolis, so it's representative of Holland, but only a part of it - you know, it's more extreme, there's more happening, it's more liberal and more daring than the countryside in Holland is.
I wanted to move away from Holland for my work because I felt that things would be better for me in England. But when I heard Joy Division's 'Unknown Pleasures', that pushed me towards making the move and making it real. I met them within 12 days of moving to England.
I think if you don't feel passionate about the first movie you're doing, in the end the project will lack something because you don't have enough experience to make the movie something special.
I am a village boy, and Amsterdam for me was always the big town.
Apart from photography and music videos, I also do graphic design.
The really simple approach to photography is a great balance to making the films.
I never really enjoyed getting a portfolio together then sending it out; whereas, putting up the website is quite an enjoyable experience. The net's just a much faster and more modern way to distribute things, and you have to embrace it.
I feel that when I shoot anything, and I have something beautiful, I just move on.
I don't think I treat my film work as an extension of my photography. There are two different sets of rules there.
There's a lot about records that you cannot feel from a CD.
My photography is very European. In America, I always get the sense that people are comforted by understanding what they're looking at. Photography's quite clear here [in the U.S.], it's very well-explained. My photography's perhaps not as well-explained.
With photography, you are lucky if you get people to look at your pictures at some point. There's no formal way to show them.
I have such a love of good music that I find even melancholic music uplifting. Maybe I'm a rare breed.