Arthur Miller

Arthur Miller
Arthur Asher Millerwas a prolific American playwright, essayist, and prominent figure in twentieth-century American theatre. Among his most popular plays are All My Sons, Death of a Salesman, The Crucibleand A View from the Bridge. He also wrote several screenplays and was most noted for his work on The Misfits. The drama Death of a Salesman is often numbered on the short list of finest American plays in the 20th century alongside Long Day's Journey into Night and A Streetcar...
NationalityAmerican
ProfessionPlaywright
Date of Birth17 October 1915
CityNew York City, NY
CountryUnited States of America
One can’t stand forever on the shore. At some point, filled with indecision, skepticism, reservation and doubt, you either jump in or concede that life is forever elsewhere
Memory inevitably romanticizes, pressing reality to recede like pain.
How to live had started out as an analytical problem of how to place himself so as to intercept the flow of money in the society.
Down deep in His heart God is a comedian who loves to make us laugh.
An idol tells people exactly what to believe, God presents them with choices they have to make for themselves. The difference is far from insignificant; before the idol men remain dependent children, before God they are burdened and at the same time liberated to participate in the decisions of endless creation.
Few occasions are as joyous to small children as funerals, almost better than the big wedding blowouts that take place at night when it's hard to stay awake. A small boy will never be harshly criticized at a funeral; he is more treasured as death comes close and all his wickedness vanishes before the inescapable fact that thank God, he is healthy.
My conception of the audience is of a public each member of which is carrying about with him what he thinks is an anxiety, or a hope, or a preoccupation which is his alone and isolates him from mankind and in this respect at least the function of a play is to reveal him to himself so that he may touch others by virtue of the revelation of his mutuality with them. If only for this reason I regard the theater as a serious business, one that makes or should make man more human, which is to say, less alone.
In America, any man who is not a reactionary in his views is open to the charge of alliance with the Red hell.
Nevertheless, one learned very early that books had to be respected; they were all putative Bibles and to some small degree had a share in holiness.
I would be twenty before I learned how to be fifteen, thirty before I knew what it meant to be twenty, and now at seventy-two I have to stop myself from thinking like a man of fifty who has plenty of time ahead.
It was not really possible to understand oneself, let alone another human being.
It occurs to me that with all the television people watch, most of their acquaintances are actors.
... vulgarity has no nation.
Oh,Elizabeth, your justice would freeze beer.