Arthur Miller
Arthur Miller
Arthur Asher Millerwas a prolific American playwright, essayist, and prominent figure in twentieth-century American theatre. Among his most popular plays are All My Sons, Death of a Salesman, The Crucibleand A View from the Bridge. He also wrote several screenplays and was most noted for his work on The Misfits. The drama Death of a Salesman is often numbered on the short list of finest American plays in the 20th century alongside Long Day's Journey into Night and A Streetcar...
NationalityAmerican
ProfessionPlaywright
Date of Birth17 October 1915
CityNew York City, NY
CountryUnited States of America
Be liked and you will never want.
I know that my works are a credit to this nation and I dare say they will endure longer than the McCarran Act.
Nobody dast blame this man. For a salesman, there is no rock bottom to the life. He don't put a bolt to a nut, he don't tell you the law or give you medicine. He's a man way out there in the blue, riding on a smile and a shoeshine. And when they start not smiling back -- that's an earthquake. And then you get yourself a couple of spots on your hat, and you're finished. Nobody dast blame this man. A salesman is got to dream, boy. It comes with the territory.
What work you do! It's strange work for a Christian girl to hang old women!
Glamour, that trans-human aura or power to attract imitation, is a kind of vessel into which dreams are poured, and some vessels are simply worthier than others... A beautiful woman can turn heads but real glamour has a deeper pull... Glamour is the power to rearrange people's emotions, which, in effect, is the power to control one's environment.
The world is always ending; the exact date depends on when you came into it.
Peace. It is a providence, and no great change; we are only what we always were, but naked now.
The culture of the United States has flooded the world. It's the inevitable result of a powerful culture, art. We've got an instinctive touch when it comes to the popular mind because we've had no aristocracy. It is a democratic country. And we know without knowing it, without bothering to understand it, how to reach ordinary people, sometimes with the most vulgar, worthless junk on the face of the earth, but we know how to do it [laughter].
People do look to others for some leadership, and it's not bad for them to supply it when they feel that way.
I came out of a culture in which my uncle, my father - they were all salesmen of one kind or another. My father was a manufacturer. He also, in effect, had to sell that stuff. And if he didn't literally do it, his men did. So, selling was in the air through my boyhood. The whole idea of successfully selling was very important.
Americans don't speak foreign languages, by and large. Their interest in anything beyond the borders of the country is limited. A European of any cultivation has to speak a couple of languages; he inevitably without being very thoughtful about it gets to understand what other people think about him.
There is a problem on the so-called commercial stage in New York. The price of a ticket is exorbitant, and there are no longer original productions possible, apparently, on the commercial stage. They are all plays that were taken from either England or smaller theaters, off-Broadway theaters, and so on. The one justification there used to be for the commercial theater was that it originated everything we had, and now it originates nothing. But the powers that be seem perfectly content to have it that way. They don't risk anything anymore, and they simply pick off the cream.
The two greatest plays ever written were Hamlet and Oedipus Rex, and they're both about father-son relationships.
A friend of mine once said that there were only two truly national events in the history of the United States. One was the Civil War and the other one was the Depression.