Arthur Schopenhauer

Arthur Schopenhauer
Arthur Schopenhauerwas a German philosopher. He is best known for his 1818 work The World as Will and Representation, in which he characterizes the phenomenal world as the product of a blind, insatiable, and malignant metaphysical will. Proceeding from the transcendental idealism of Immanuel Kant, Schopenhauer developed an atheistic metaphysical and ethical system that has been described as an exemplary manifestation of philosophical pessimism, rejecting the contemporaneous post-Kantian philosophies of German idealism. Schopenhauer was among the first thinkers in Western...
NationalityGerman
ProfessionPhilosopher
Date of Birth22 February 1788
CountryGermany
In truth the most striking figure for the relation of the two is that of the strong blind man carrying the sighted lame man on his shoulders.
The composer reveals the innermost nature of the world, and expresses the profoundest wisdom in a language that his reasoning faculty does not understand, just as a magnetic somnambulist gives information about things of which she has no conception when she is awake. Therefore in the composer, more than in any other artist, the man is entirely separate and distinct from the artist.
Reasonable and vicious are quite consistent with each other, in fact, only through their union are great and far-reaching crimes possible
To desire immortality is to desire the eternal perpetuation of a great mistake
I have described religion as the metaphysics of the people.
There is only one inborn erroneous notion that we exist in order to be happy So long as we persist in this inborn error the world seems to us full of contradictions. For at every step, in great things and small, we are bound to experience that the world and life are certainly not arranged for the purpose of maintaining a happy existence hence the countenances of almost all elderly persons wear the expression of disappointment.
As the strata of the earth preserve in succession the living creatures of past epochs, so the shelves of libraries preserve in succession the errors of the past and their expositions, which like the former were very lively and made a great commotion in their own age but now stand petrified and stiff in a place where only the literary palaeontologist regards them.
The law of simplicity and naïveté applies to all fine art, for it is compatible with what is most sublime.
A book can never be anything more than the impression of its author’s thoughts. The value of these thoughts lies either in the matter about which he has thought, or in the form in which he develops his matter — that is to say, what he has thought about it.
Our moral virtues benefit mainly other people; intellectual virtues, on the other hand, benefit primarily ourselves; therefore the former make us universally popular, the latter unpopular.
Memory works like the collection glass in the Camera obscura: it gathers everything together and therewith produces a far more beautiful picture than was present originally.
To use many words to communicate few thoughts is everywhere the unmistakable sign of mediocrity. To gather much thought into few words stamps the man of genius.
With health, everything is a source of pleasure; without it, nothing else, whatever it may be, is enjoyable...Healt h is by far the most important element in human happiness.
Life to the great majority is only a constant struggle for mere existence, with the certainty of losing it at last.