Bret Easton Ellis
Bret Easton Ellis
Bret Easton Ellisis an American novelist, screenwriter, and short story writer. His works have been translated into 27 languages. He was at first regarded as one of the so-called literary Brat Pack, which also included Tama Janowitz and Jay McInerney. He is a self-proclaimed satirist, whose trademark technique, as a writer, is the expression of extreme acts and opinions in an affectless style. Ellis employs a technique of linking novels with common, recurring characters...
NationalityAmerican
ProfessionAuthor
Date of Birth7 March 1964
CountryUnited States of America
And it struck me then, that I liked Sean because he looked, well, slutty. A boy who had been around. A boy who couldn't remember if he was Catholic or not.
The seals stupidly dive off rocks into swirling black water, barking mindlessly. The zookeepers feed them dead fish. A crowd gathers around the tank, mostly adults, a few accompanied by children. On the seals' tank a plaque warns: COINS CAN KILL——IF SWALLOWED, COINS CAN LODGE IN AN ANIMAL'S STOMACH AND CAUSE ULCERS, INFECTIONS AND DEATH. DO NOT THROW COINS IN THE POOL. So what do I do? Toss a handful of change into the tank when none of the zookeepers are watching. It's not the seals I hate——it's the audience's enjoyment of them that bothers me.
I felt lethal, on the verge of frenzy. My nightly bloodlust overflowed into my days and I had to leave the city. My mask of sanity was a victim of impending slippage. This was the bone season for me and I needed a vacation.
I've been accused of being very vain about my apathy.
I laugh maniacally, then take a deep breath and touch my chest- expecting a heart to be thumping quickly, impatiently, but there's nothing there, not even a beat.
I've forgotten who I had lunch with earlier, and even more important, where.
I want to take you away from this," I say, motioning around the kitchen, spastic. "From sushi and elves and... STUFF.
People just... disappear," he says. "The Earth just opens up and swallows people," I say, some what sadly, checking my Rolex. "Eerie." Kimball yawns, stretching. "Really eerie." "Ominous." I nod my agreement. "It's just"- he sights, exasperated- "futile.
But... what about us? What about the past?" she asks blankly. "The past isn't real. it's just a dream," I say. "Don't mention the past.
What keeps me interested--and it always does--is how can she be a bad actress on film but a good one in reality?
And as the elevator descents, passing the second floor, and the first floor, going even father down, I realize that the money doesn't matter. That all that does is that I want to see the worst
What do you do?' she asks, holding out the vest. 'What do you do?' 'What do you do?' she asks, her voice shaking. 'Don't ask me, please. Okay, Clay?' 'Why not?' She sits on the mattress after I get up. Muriel screams. 'Because... I don't know,' she sighs. I look at her and don't feel anything and walk out with my vest.
I come to a red light, tempted to go through it, then stop once I see a billboard sign that I don’t remember seeing and I look up at it. All it says is 'Disappear Here' and even though it’s probably an ad for some resort, it still freaks me out a little and I step on the gas really hard and the car screeches as I leave the light.