Bret Easton Ellis
Bret Easton Ellis
Bret Easton Ellisis an American novelist, screenwriter, and short story writer. His works have been translated into 27 languages. He was at first regarded as one of the so-called literary Brat Pack, which also included Tama Janowitz and Jay McInerney. He is a self-proclaimed satirist, whose trademark technique, as a writer, is the expression of extreme acts and opinions in an affectless style. Ellis employs a technique of linking novels with common, recurring characters...
NationalityAmerican
ProfessionAuthor
Date of Birth7 March 1964
CountryUnited States of America
I'm not a big believer in disciplined writers. What does discipline mean? The writer who forces himself to sit down and write for seven hours every day might be wasting those seven hours if he's not in the mood and doesn't feel the juice. I don't think discipline equals creativity.
You do not write a novel for praise, or thinking of your audience. You write for yourself; you work out between you and your pen the things that intrigue you
I don't know why I write what I write.
I learned that you really don't have any control as a writer. Waah, waah, waah. Big deal. Unless you're the director on the movie, or putting up the money for the movie, you really don't have a lot of control. As someone who's just writing scripts, you just kind of have to shrug. I have no problems or issues with screenwriting in general. It is what it is.
Life is like a typographical error: we're constantly writing and rewriting things over each other.
Writing fiction is an act of imagination and fantasizing, and it's not relating in prose what you've been doing for the last two or three years.
You don't market-research a novel; you really are writing it for yourself. It's a hobby, in many ways. The problem becomes what you do when you're confronted by criticism. You just don't listen to it.
but I don't want to wear a condom because I don't feel anything," and she says calmly... glaring at me,"If you don't use one you're not going to feel anything anyway.
... her taste in music haunted my memory and I had to stop at Tower Records on the Upper West Side to buy ninety dollars' worth of rap CDs but, as expected, I'm at a loss: [...] voices uttering ugly words like digit, pudding, chunk.
The images I had were of people being driven mad by living in the city. Images of parents who were so hungry and unfulfilled that they ate their own children.
The Smiths are singing and someone says "Turn that gay angst music off.
The seeds of love have taken hold and if we won't burn together, I'll burn alone.
She sits before me, sullen but hopeful, characterless, about to dissolve into tears. I squeeze her hand back, moved, no, touched by her ignorance of evil. She has one more test to pass. Do you own a briefcase?” I ask her, swallowing.
Baby, when you were young and your heart was an open book, you used to say live and let live. You know you did, you know you did, you know you did.