Brian Henson
![Brian Henson](/assets/img/authors/brian-henson.jpg)
Brian Henson
Brian Hensonis an American puppeteer, director, producer, technician, and the chairman of The Jim Henson Company. He is the son of puppeteers Jim and Jane Henson...
ProfessionTV Producer
Date of Birth3 November 1963
CityNew York City, NY
fun puppets comedy
he puppeteers really responded to it. Patrick Bistrow really responded to it, it's great fun to do improve comedy with puppets.
scripts comedy kind
We kind of lost a lot of that and puppeteers were sticking to the script and we thought everything needed to get a lot funnier, so we thought we would go to a good improv comedy instructor.
class littles scripts
"Stuffed and Unstrung" started as a workshop, actually, classes within our company. We found that our puppeteers were not ad libbing as well as traditionally, Jim Henson Company puppeteers have. We're sort of famous for going off script a little bit and ad libbing.
pigs puppets cows
First of all, you're improvising through a puppet, so you're not always yourself: you're a cow or you're a pig or you're an old woman, you know, whatever puppet you pick, or you're a demon, you know, whatever you pick up, that's what you get to be in the scene.
thinking body way
In many ways, I think it's easier in some ways, or it's more entertaining or more guaranteed to be entertaining than traditional improvising. Again, because you're not just you in your body.
fun ideas facts
But the fact that most of the show you can't be prepared for, you have no idea really what's coming is initially very nerve wracking, by now, it's kind of fun.
shows prepared bits
The show is probably 60 percent improvising and 40 percent not. So there's quite a bit of it that we do have prepared and that part of it, you have memorized and you've rehearsed and you're prepared, just like any show.
thinking two lines
I think initially it's terrifying because going into a show where, you know, "Oh, I'm going to be on stage for two hours, I have no lines to memorize, I have nothing really prepared," and actually I say that, the show is not all improvising.
brain littles tough
It's actually good when the performers are nervous, because it kind of sharpens up your brain and a little bit of adrenaline is good. Initially it's really tough.
challenges trying aspect
So that's the challenge, you have a big technical aspect of what you're doing whilst you're creatively trying to improvise.
style trying puppets
So while you're trying to improvise, you're also trying to puppeteer, you're doing everything that you need to do to perform a puppet in our style, for a camera.
real skills high-standards
And with puppets, especially in our company, we sort of demand a very high standard of puppetry, so it's a real technical skill.
challenges mind attention
The challenge is, well, there's a huge challenge, which is when you're improvising, you're meant to sort of clear your mind completely, just be open and funny, and paying, you know, paying attention.
blessing get-better puppets
A puppet that starts to improvise badly is almost funnier than the puppet that's improvising well. So the show gets better when the improvising is really good, but also the show can also sometimes get better when the improvising sort of goes a little wrong and that's sort of a blessing to improvising with puppets.