Brian Henson
Brian Henson
Brian Hensonis an American puppeteer, director, producer, technician, and the chairman of The Jim Henson Company. He is the son of puppeteers Jim and Jane Henson...
ProfessionTV Producer
Date of Birth3 November 1963
CityNew York City, NY
advisor close company crucial family guide happened running
I think it's crucial that there be a family advisor who was close to running the company; who the family can trust, and who can guide discussions. That was probably why it happened so smoothly.
exactly looking marketing partner saw
What we saw in EM.TV ... was exactly the international strategic, financial, marketing and distribution partner we have been looking for.
lonely artist people
To anyone who's trying to be an artist, in any medium, it's a very odd and lonely and nerve-wracking and scary process when you let anybody see what you're working on. You have to learn to listen to your instincts. Absorb other people's advice, opinions, or whatever it may be from the outside world, but at the end of the day, you have to be true to whatever it is that you're trying to say in that work.
nice two discipline
I'd say that that is a challenge, but it also is, again, it's helpful. It's helpful to have the discipline of, okay, I'm doing, I'm doing something that's quite precise over here, working the puppet, and I'm doing something that's very imprecise and creative and unleashed over here, which is the comedy side. And it's kind of nice to allow your brain to be doing those two things at once.
looks stage used
You get used to it, you look forward to the adrenaline of the stage fright before you go out.
roots use adults
This is certainly the raunchiest, if you use that word, raunchy. The roots of Jim Henson, though, was adult comedy.
mom dad night
The first show that my dad and my mom did together was for, was a comedy series, a short form that went in the middle of late-night news, and then through all of their career, it was always the "Ed Sullivan Show," it was a variety act, my dad was on the "Jimmy Dean Show" for a few years.
awful scene audience
There's an awful lot of scenes where we don't know what the scene's going to be about, we ask the audience, pick a place that the scene is happening, pick the relationship, tell us who they are, things like that.
festivals way momentum
we sent a troupe to Edinborough, and then in Edinborough, there was a producer from the Melbourne Comedy Festival, so we went to Melbourne. So it's one of these shows that kind of organically developed and it started developing momentum way before I even thought there was a show here.
tv-shows people leader
And so as a director, as a leader, and myself as a director and a leader, I kind of try to make sure that we hold onto the vision and kind of corral it, but by the time you finish whatever the project is, a TV show, a series, a movie, a stage show, it should be a product of what all those people can do, and therefore, it can never be what you imagined it would be in the beginning.
people groups made
And it should be something that only that group of people could've made with everybody invested.
mistake people trying
I try to emulate his approach of really get the most out of people by allowing them to experiment and certainly allowing people to make mistakes.
mistake thinking people
I think in a creative effort, in any creative effort, you need to, people need to be able to be taking risks and if it turns out to be a mistake, if it turns out not to have been the right choice, that should be applauded, you know, by everybody, and it will come up with another plan.