Carey Mulligan
Carey Mulligan
Carey Hannah Mulligan is an English actress. She made her acting debut on stage in London in the Kevin Elyot play Forty Winks in 2004. Mulligan's feature film debut was as Kitty Bennet in the 2005 film adaptation of Pride & Prejudice. Mulligan had early roles on British television in such programs as Bleak House, and Doctor Who. In 2008, Mulligan made her Broadway debut in a revival of Chekhov's The Seagull to critical acclaim...
NationalityEnglish
ProfessionMovie Actress
Date of Birth28 May 1985
CityLondon, England
Leonardo is the most incredible actor, on the planet, with a couple of people alongside him. Getting to act with him is just [amazing]. I walked away from my audition for that and I couldn't believe that I'd been acting with him. I've worked with amazing people, but my friends freak out that I'm working with him. I freak out in a geeky acting way. They freak out in a starstruck way. He's Leonardo DiCaprio, and his fame is so big. That's a complete tangent about that.
I'd like to do a play, but I can't find the right thing. I don't want it to be a starring role. I just want to play a really interesting character.
I wanted to be a musical theatre actress - I wanted to play Sally Bowles, forever and ever always.
It makes it easier, if you can't do an American accent. I don't know. It's different. I played a character in Never Let Me Go where the script for my character was very sparse, and I enjoyed it. With Never Let Me Go, I had a whole book written from my character's point of view, so I always knew where I was. But, with Ryan [Gosling], it was just easy. He's such a brilliant actor and he is so prepared. He doesn't have to warm himself up to be in a scene. He's just in it. It draws you in, in a way.
I did Wall Street, and then everything that happened with An Education took me up until March. I didn't want to work during that because there was just so much stuff. I didn't realize you had to go to so many parties. It was a nightmare! I had to go to all these parties! The glamour!
I was trying to find ways of not being pigeon-holed like that. I didn't want to be tied down by my accent. I wanted to play Americans. I don't want to ever be doing the same thing twice, and I just didn't want to repeat myself.
I didn't want to do a costume drama. It's a great thing to do, but I've done them, and I didn't want to do the same thing again. Of course, costume dramas can be from all different eras, but at the time, I just felt very sure that I didn't want to be boxed in as an English actress. I wanted to be an actress, rather than an English actress.
I've always been quite careful about what I wanted to do. I've just never wanted to revisit old ground or do something that's easy. I want to do something that I would look at and go, "I don't know what to do!" The most exciting thing is when you're a bit scared, so I'm looking to find something that's really terrifying.
Remakes are a difficult thing 'cause some people feel very protective of the original.
When you start playing a character every day for seven weeks, it suddenly starts becoming easier
I can change my appearance quite easily just by changing my hair. So I can adapt quite well.
I don't think I want to play title roles. I don't want to be the face on the poster. I don't want that pressure of having the success riding on my shoulders. I just want to play the most interesting parts. I actually think it's incredibly rare to get an interesting female character that is the lead in a film. Usually the character parts are so much more interesting to play.
People always say, "You played such a strong character." I remember someone said that to me when I played a role in Shame, and she was a suicidal mess. I said, "She's not strong at all; she's incredibly weak." But "strong" to people means "real." It means you believe that's a person who exists, as opposed to some two-dimensional depiction of women.