Edith Wharton
Edith Wharton
Edith Whartonwas a Pulitzer Prize-winning American novelist, short story writer, and designer. She was nominated for the Nobel Prize in Literature in 1927, 1928 and 1930. Wharton combined her insider's view of America's privileged classes with a brilliant, natural wit to write humorous, incisive novels and short stories of social and psychological insight. She was well acquainted with many of her era's other literary and public figures, including Theodore Roosevelt...
NationalityAmerican
ProfessionNovelist
Date of Birth24 January 1862
CityNew York City, NY
CountryUnited States of America
She felt a stealing sense of fatigue as she walked; the sparkle had died out of her, and the taste of life was stale on her lips. She hardly knew what she had been seeking, or why the failure to find it had so blotted the light from her sky: she was only aware of a vague sense of failure, of an inner isolation deeper than the loneliness about her.
We shall hurt others less. Isn't it, after all, what you always wanted?
There was no use in trying to emancipate a wife who had not the dimmest notion that she was not free.
I'm not much interested in travelling scholarships for women - or in fact in scholarships, tout court! - they'd much better stay at home and mind the baby. Still less am I interested in scholarships for female Yids ....
To have you here, you mean-in reach and yet out of reach? To meet you in this way, on the sly? It's the very reverse of what I want.
Everything about her was warm and soft and scented; even the stains of her grief became her as raindrops do the beaten rose.
The difference is that these young people take it for granted that they're going to get whatever they want, and that we almost always took it for granted that we shouldn't. Only, I wonder—the thing one's so certain of in advance: can it ever make one's heart beat as wildly?
He had married (as most young men did) because he had met a perfectly charming girl at the moment when a series of rather aimless sentimental adventures were ending in premature disgust; and she had represented peace, stability, comradeship, and the steadying sense of an unescapable duty.
And all the while, I suppose," he thought, "real people were living somewhere, and real things happening to them ...
Art is on the side of the oppressed. Think before you shudder at the simplistic dictum and its heretical definition of the freedom of art. For if art is freedom of the spirit, how can it exist within the oppressors?
Selden and Lily stood still, accepting the unreality of the scene as a part of their own dream-like sensations. It would not have surprised them to feel a summer breeze on their faces, or to see the lights among the boughs reduplicated in the arch of a starry sky. The strange solitude about them was no stranger than the sweetness of being alone in it together.
To be able to look life in the face: that's worth living in a garret for, isn't it?
Apart from the pleasure of looking at her and listening to her-of enjoying in her what others less discriminatingly but as liberally appreciated-he had the sense, between himself and her, of a kind of free-masonry of precocious tolerance and irony. They had both, in early youth, taken the measure of the world they happened to live in: they knew just what it was worth to them and for what reasons, and the community of these reasons lent to their intimacy its last exquisite touch.
He simply felt that if he could carry away the vision of the spot of earth she walked on, and the way the sky and sea enclosed it, the rest of the world might seem less empty.