Flannery O'Connor
Flannery O'Connor
Mary Flannery O'Connorwas an American writer and essayist. An important voice in American literature, she wrote two novels and 32 short stories, as well as a number of reviews and commentaries. She was a Southern writer who often wrote in a Southern Gothic style and relied heavily on regional settings and grotesque characters. Her writing also reflected her own Roman Catholic faith and frequently examined questions of morality and ethics. Her posthumously-compiled Complete Stories won the 1972 U.S. National Book...
NationalityAmerican
ProfessionNovelist
Date of Birth25 March 1925
CitySavannah, GA
CountryUnited States of America
My own approach to literary problems is very like the one Dr. Johnson's blind housekeeper used when she poured tea-she put her finger inside the cup.
I believe the teacher's work is largely negative, that it is largely a matter of saying, "This doesn't work because ..." or "This does work because ..." The because is very important. The teacher can help you understand the nature of your medium, and he can guide you in your reading.
There's many a bestseller that could have been prevented by a good teacher.
Everywhere I go, I'm asked if I think the universities stifle writers. My opinion is that they don't stifle enough of them. There's many a best seller that could have been prevented by a good teacher.
Anybody who has survived his childhood has enough information about life to last him the rest of his days.
The high-school English teacher will be fulfilling his responsibility if he furnishes the student a guided opportunity, through the best writing of the past, to come, in time, to an understanding of the best writing of the present. He will teach literature, not social studies or little lessons in democracy or the customs of many lands. And if the student finds that this is not to his taste? Well, that is regrettable. Most regrettable. His taste should not be consulted; it is being formed.
The two worst sins of bad taste in fiction are pornography and sentimentality. One is too much sex and the other too much sentiment.
Even in the life of a Christian, faith rises and falls like the tides of an invisible sea. It's there, even when he can't see it or feel it, if he wants it to be there. You realize, I think, that it is more valuable, more mysterious, altogether more immense than anything you can learn or decide upon It will keep you free - not free to do anything you please, but free to be formed by something larger than your own intellect or the intellects around you.
Either practice restraint or be prepared for crowding
There won't be any biographies of me because, for only one reason, lives spent between the house and the chicken yard do not make exciting copy.
Well, if it's a symbol, to hell with it.
I am much younger now than I was at twelve or anyway, less burdened.
You can't clobber any reader while he's looking. You divert his attention, then you clobber him and he never knows what hit him.
The meaning of the story is the story.