George Steiner
George Steiner
Francis George Steiner, FBA is a French-born American literary critic, essayist, philosopher, novelist, and educator. He has written extensively about the relationship between language, literature and society, and the impact of the Holocaust. An article in The Guardian described Steiner as a "polyglot and polymath", saying that he is either "often credited with recasting the role of the critic", or a "pretentious namedropper" whose "range comes at the price of inaccuracy" and "complacency"...
NationalityAmerican
ProfessionCritic
Date of Birth23 April 1929
CountryUnited States of America
George Steiner quotes about
Talk can neither be verified nor falsified in any rigorous sense. This is an open secret which hermeneutics and aesthetics, from Aristotle to Croce, have laboured to exorcise or to conceal from themselves and their clients. This ontological, which is to say both primordial and essential axiom (or platitude) of ineradicable undecidability needs, none the less, to be closely argued.
But I would like to think for a moment about a man who in the morning teaches his students that a false attribution of a Watteau drawing or an inaccurate transcription of a fourteenth-century epigraph is a sin against the spirit and in the afternoon or evening transmits to the agents of Soviet intelligence classified, perhaps vital information given to him in sworn trust by his countrymen and intimate colleagues. What are the sources of such scission? How does the spirit mask itself?
When he looks back, the critic sees a eunuch's shadow. Who would be a critic if he could be a writer? Who would hammer out the subtlest insight into Dostoevsky if he could weld an inch of the Karamazovs, or argue the poise of Lawrence if he could shape the free gust of life in The Rainbow?
To understand is to decipher. To hear significance is to translate.
Given my age, I am pretty near the end, probably, of my career as a writer, a scholar, a teacher. And I wanted to speak of things I will not be able to do.
Functions of technical information, historic record, analytic argument, which are integral and obvious to Dante's use of verse are now almost completely a part of the 'prosaic'.
To many writers and thinkers, though not to all, another text is, or can be, the most naked and charged of life-forces ... The concept of allusion or analogue is totally inadequate. To Dante these other texts are the organic context of identity. They are as directly about life as life is about them.
Life proceeds amid an incessant network of signals.
Chess may be the deepest, least exhaustible of pastimes, but it is nothing more. As for a chess genius, he is a human being who focuses vast, little-understood mental gifts and labors on an ultimately trivial human enterprise.
Pornographers subvert this last, vital privacy; they do our imagining for us. They take away the words that were of the night and shout them over the roof-tops, making them hollow.
There is something terribly wrong with a culture inebriated by noise and gregariousness.
Monotheism at Sinai, primitive Christianity, messianic socialism: these are the three supreme moments in which Western culture is presented with what Ibsen termed "the claims of the ideal." These are the three stages, profoundly interrelated, through which Western consciousness is forced to experience the blackmail of transcendence.
There are three intellectual pursuits, and, so far as I am aware, only three, in which human beings have performed major feats before the age of puberty. They are music, mathematics, and chess.
Bookishness, highest literacy, every technique of cultural propaganda and training not only can accompany bestiality and oppression and despotism but at certain points foster it.