George Will
George Will
George Frederick Willis an American newspaper columnist and political commentator. He is a Pulitzer Prize–winner known for his conservative commentary on politics. In 1986, The Wall Street Journal called him "perhaps the most powerful journalist in America," in a league with Walter Lippmann...
ProfessionJournalist
Date of Birth4 May 1941
art writing frustration
I'm not sure I would call it agony but there is a kind of cyclic frustration. You get one story right and then here comes another one. When does that end? What I'm trying to do is get it to end right now, by recognizing that that cycle is writing. That is: trying to understand the frustrations and setbacks (and agony) as part of a bigger chess game you are playing with art itself.
writing normal energetic
I've always wanted to write energetic, atypical sentences, i.e., sentences that were not normal or bland.
interesting feels persons
I feel that there is nothing that can happen to a person that is banal. Everything that happens to us is interesting.
risk sides chicago
I grew up in Chicago on the South Side, and had a ton of freedom, just did whatever I wanted, whenever I wanted. At the risk of sounding dopey, I would say it was blissful.
writing doe looks
That's what a story must feel like to me. It's not, "I want to write about a gravedigger." But you're walking along and - boop! shovel. "Ok, what does one do with a shovel? Digs a hole. Why? I don't know yet. Dig the hole! Oh, look a body."
writing ideas challenges
I love story-writing because I can (more or less, on occasion) actually DO it. That's really the truth. I like the idea that a story is sort of a site for making cool language effects - a site for celebrating language, and, therefore, the world. And the brevity is part of the challenge. I like stories because I get them - I know how to make beauty, or something like beauty, in that mode.
heart writing hey
A writer writes what interests him and what he can manage, and what he can make live, as Flannery O'Connor said. So my reaction to someone saying "You must!" or "You should!" or even "Hey, why don't you?" is basically to sort of shrug and politely walk off and do whatever I want to do. It's nobody else's business, really, and even if I happened to agree with one of those "musts" or "shoulds" what would I do about it, if my heart wasn't in it?
light action humans
Positive human action is not only possible, but pervasive; human beings can improve and choose light and so on. And this is all happening.
feelings way stories
I love the feeling of being on the hunt - the feeling that the story is refusing to be solved in some lesser way and is insisting that you see it on its highest terms.
writing thinking remember
Whenever you talk about writing I think you have to remember that it all has a big question mark over it - every word has a big question mark over it.
mean talking hopeful
The most hopeful thing in the stories, I hope, is wit. I make it up. If I make up a world in which we're ruled by big talking turds, it doesn't mean that we are. So you shouldn't feel depressed...
people world earth
I read Rand and thought, "I want to be one of the earth movers, the scientific people who power the world. I don't want to be one of these lisping liberal artsy leeches." So I was working against my actual abilities.
hoboken imitating knows
Every writer knows that when you're imitating somebody - you know, you're sounding like Faulkner - you're doing pretty good, but your life in Hoboken isn't Faulkneresque.
crazy voice trying
In a sense my whole life as a writer is trying to find structural ways, or formal ways, to permit that outflowing so it doesn't just look like crazy output. In other words, if it turns out that you can do a given voice, that's just kind of inclination. But then if you can find a way to put that voice in a story so that the voice serves a purpose, then I would say that's being a writer.