Herbert Marcuse
Herbert Marcuse
Herbert Marcusewas a German-American philosopher, sociologist, and political theorist, associated with the Frankfurt School of Critical Theory. Born in Berlin, Marcuse studied at the universities of Berlin and then at Freiburg, where he received his Ph.D. He was a prominent figure in the Frankfurt-based Institute for Social Research – what later became known as the Frankfurt School. He was married to Sophie Wertheim, Inge Neumann, and Erica Sherover. In his written works, he criticized capitalism, modern technology, historical materialism and...
NationalityGerman
ProfessionPhilosopher
Date of Birth18 July 1898
CountryGermany
Herbert Marcuse quotes about
Dialectical thought understands the critical tension between "is" and "ought" first as an ontological condition, pertaining to the structure of Being itself. However, the recognition of this state of Being its theory intends from the beginning a concrete practice. Seen in the light of a truth which appears in them falsified or denied, the given facts themselves appear false and negative.
Inasmuch as art preserves, with the promise of happiness, the memory of the goal that failed, it can enter, as a 'regulative idea,' the desperate struggle for changing the world. Against all fetishism of the productive forces, against the continued enslavement of individuals by the objective conditions (which remain those of domination), art represents the ultimate goal of all revolutions: the freedom and happiness of the individual.
A work of art can be called revolutionary if, by virtue of the aesthetic transformation, it represents, in the exemplary fate of individuals, the prevailing unfreedom and the rebelling forces, thus breaking through the mystified (and petrified) social reality, and opening the horizon of change (liberation).
Art cannot change the world, but it can contribute to changing the consciousness and drives of the men and women who could change the world.
Art breaks open a dimension inaccessible to other experience, a dimension in which human beings, nature, and things no longer stand under the law of the established reality principle...The encounter with the truth of art happens in the estranging language and images which make perceptible, visible, and audible that which is no longer, or not yet, perceived, said, and heard in everyday life.
Behind the aesthetic form lies the repressed harmony of sensuousness and reason
The avant-garde and the beatniks share in the function of entertaining without endangering the good conscience of the men of good will.
The truth of literature and art has always been granted as one of a 'higher' order, which should not and indeed did not disturb the order of business. What has changed in the contemporary period is the difference between the two orders and their truths. The absorbent power of society depletes the artistic dimension by assimilating its antagonistic contents. In the realm of culture, the new totalitarianism manifests itself precisely in a harmonizing pluralism where the most contradictory works and truths peacefully coexist in indifference.
Liberating tolerance, then, would mean intolerance against movements from the Right, and toleration of movements from the Left.
The truth of art lies in its power to break the monopoly of established reality to define what is real.
The present stage redefines the possibilities of man and nature in accordance with the new means available for their realization.
Bourgeois political economy ... never gets to see man who is its real subject. It disregards the essence of man and his history and is thus in the profoundest sense not a 'science of people' but of non-people and of an inhuman world of objects and commodities.