Ingmar Bergman
Ingmar Bergman
Ernst Ingmar Bergman; 14 July 1918 – 30 July 2007) was a Swedish director, writer and producer who worked in film, television, and theatre. He is recognized as one of the most accomplished and influential auteurs of all time and is most famous for films such as The Seventh Seal, Wild Strawberries, Persona, Cries and Whispersand Fanny and Alexander...
NationalitySwedish
ProfessionDirector
Date of Birth14 July 1918
CityUppsala, Sweden
CountrySweden
I am conscious about myself and everything, and then suddenly, or slowly, my conscious fades out. Switches off. And it's not existing, and that's a marvelous feeling. That from existing, I am not existing. And at that moment, nothing can happen to me.
To feel. To trust the feeling. I long for that
One of ennui's most terribel components is the overwhelming feeling of ennui that comes over you whenever you try to explain it.
Say anything you want against The Seventh Seal. My fear of death — this infantile fixation of mine — was, at that moment, overwhelming. I felt myself in contact with death day and night, and my fear was tremendous. When I finished the picture, my fear went away. I have the feeling simply of having painted a canvas in an enormous hurry — with enormous pretension but without any arrogance. I said, 'Here is a painting; take it, please.
Here, in my solitude, I have the feeling that I contain too much humanity.
Theater is the beginning and end and actually everything, while cinema belongs to the whoring and slaughterhouse trade.
There is no art form that has so much in common with film as music. Both affect our emotions directly, not via the intellect.
For me, in those days, the great question was: Does God exist? Or doesn't God exist? Can we, by an attitude of faith, attain to a sense of community and a better world? Or, if God doesn't exist, what do we do then? What does our world look like then? In none of this was there the least political colour.
One has to manage alone as best one can. (Karin Bergman)
Everything is worth precisely as much as a belch, the difference being that a belch is more satisfying.
Artistic license sneered through the thin fabric.
We worked on 'Fanny and Alexander' for seven months and it was an amusing production. Still, it was very long and heavy and so awfully complicated, .. And when the premiere was over and everything went well, I thought, 'That's that.' .
A film causes me so many worries and such a lot of reactions that I have to love it in order to get over it and past it.
I'm planning, you see, to try to confine myself to the truth. That's hard for an old, inveterate fantasy martyr and liar who has never hesitated to give truth the form he felt the occasion demanded.