Ingmar Bergman
Ingmar Bergman
Ernst Ingmar Bergman; 14 July 1918 – 30 July 2007) was a Swedish director, writer and producer who worked in film, television, and theatre. He is recognized as one of the most accomplished and influential auteurs of all time and is most famous for films such as The Seventh Seal, Wild Strawberries, Persona, Cries and Whispersand Fanny and Alexander...
NationalitySwedish
ProfessionDirector
Date of Birth14 July 1918
CityUppsala, Sweden
CountrySweden
Death: Do you never stop questioning? Antonius Block: No. I never stop.
Sometimes I go for days without speaking to a soul. I think, “I should make that call", but I put it off. Because there’s something pleasurable about not talking. But then I love talking, so it’s not that. But sometimes it can be nice. It’s not like I sit here philosophizing, because I’ve no talent for that. It’s just this thing about silence that’s so wonderful.
First, I write down all I know about the story, at length and in detail. Then I sink the iceberg and let some of it float up just a little.
I don't watch my own films very often. I become so jittery and ready to cry... and miserable. I think it's awful.
We walk in circles, so limited by our own anxieties that we can no longer distinguish between true and false, between the gangster's whim and the purest ideal.
To humiliate and be humiliated, I think, is a crucial element in our whole social structure. It's not only the artist I'm sorry for. It's just that I know exactly where he feels most humiliated.
When I was young, I was extremely scared of dying. But now I think it a very, very wise arrangement. It's like a light that is extinguished. Not very much to make a fuss about
I know that I shall have lost to the jungle if I take a weak moral standpoint or relax my mental punctiliousness. I have therefore come to a certain belief which is based on three powerful effective commandments: THOU SHALT BE ENTERTAINING AT ALL TIMES. THOU SHALT OBEY THY ARTISTIC CONSCIENCE AT ALL TIMES. THOU SHALT MAKE EACH FILM AS IF IT WERE THY LAST.
The demons are innumerable, arrive at the most inappropriate times and create panic and terror... but I have learned that if I can master the negative forces and harness them to my chariot, then they can work to my advantage.... Lilies often grow out of carcasses' arseholes.
My basic view of things is - not to have any basic view of things. From having been exceedingly dogmatic, my views on life have gradually dissolved. They don't exist any longer.
Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls.
Only someone who is well prepared has the opportunity to improvise.
The world is a den of thieves, and night is falling. Evil breaks its chains and runs through the world like a mad dog. The poison affects us all. No one escapes. Therefore let us be happy while we are happy. Let us be kind, generous, affectionate and good. It is necessary and not at all shameful to take pleasure in the little world.
When film is not a document, it is dream. That is why Tarkovsky is the greatest of them all. He moves with such naturalness in the room of dreams. He doesn't explain. What should he explain anyhow? He is a spectator, capable of staging his visions in the most unwieldy but, in a way, the most willing of media. All my life I have hammered on the doors of the rooms in which he moves so naturally. Only a few times have I managed to creep inside. Most of my conscious efforts have ended in embarrassing failure - THE SERPENT'S EGG, THE TOUCH, FACE TO FACE and so on