Jane Campion
Jane Campion
Dame Elizabeth Jane Campion DNZMis a New Zealand screenwriter, producer, and director. Campion is the second of four women ever nominated for the Academy Award for Best Director and is the first female filmmaker in history to receive the Palme d'Or, which she received for directing the acclaimed film The Piano, for which she won the Academy Award for Best Original Screenplay...
NationalityNew Zealander
ProfessionDirector
Date of Birth30 April 1954
running cutting winter
I took four years off after 'In the Cut' because I wanted to see who I'd be without work. I even tried being a hermit in the wilderness in New Zealand. I stayed in a warden's hut two-and-a-half hours off the Routeburn Track through the fjords on the South Island. It was early winter, so there was no electricity or running water.
powerful thinking interesting
I think this is interesting, us human creatures are capable of love, and it's a very powerful emotion. It also can go awfully wrong.
art school tails
There was a big drive when I was at art school to make you aware of the economy of meaning - after all, this was still during the tail end of minimalism. Being responsible for everything you put in your picture, and being able to defend it. Keeping everything clear around you so you know what is operating. To open the wound and keep it clean.
stories letters biographies
When I read Andrew Motion's biography, I wept. It's something about the purity of the story and how fresh it was because of the love letters Keats wrote.
piano television ends
'The Piano' ended up on television. Everything ends up there anyway.
cameras actors persona
So many actors are not open in front of the camera - they have a persona.
believe thinking treasure
I think that the romantic impulse is in all of us and that sometimes we live it for a short time, but it's not part of a sensible way of living. It's a heroic path and it generally ends dangerously. I treasure it in the sense that I believe it's a path of great courage. It can also be the path of the foolhardy and the compulsive.
violence attraction
Actual violence has no attraction for me at all.
thinking political modern
But I think it's quite clear in my work that my orientation isn't political or doesn't come out of modern politics.
people imagine i-can
I can't imagine people telling me what to do - I just can't imagine it.
problem
I have to admit that I had a lot of problems with poetry.
thinking good-movie made
I think I made good movies.
thinking way moments
I think the whole tension about romanticism is the way it builds and builds, and the moment it's consummated, the tension's over.
anxiety doubt tough
If you read Keats's poems, they're often full of doubts and anxieties. They can be quite tough.