Jane Campion
Jane Campion
Dame Elizabeth Jane Campion DNZMis a New Zealand screenwriter, producer, and director. Campion is the second of four women ever nominated for the Academy Award for Best Director and is the first female filmmaker in history to receive the Palme d'Or, which she received for directing the acclaimed film The Piano, for which she won the Academy Award for Best Original Screenplay...
NationalityNew Zealander
ProfessionDirector
Date of Birth30 April 1954
art school reality
That's just how I see things on a base level: there's so much going on. Or at least I like to have that feeling. It's part of being interested in notions of reality apart from storytelling. I don't know if it has something to do with having an art school education, which makes you aware of the way visuals speak, or makes you trust them more.
real moon ideas
There are some things that are real, that you can see, that you can observe, like the moon, and grass and things. But for ideas to become real, they have to be played on your senses.
real men thinking
One of the things we learn in movies directed by men is what the 'fantasy woman' is. What we learn in movies directed by women is what real women are about. I don't think that men see things wrong and women right, just that we do see things differently.
powerful thinking interesting
I think this is interesting, us human creatures are capable of love, and it's a very powerful emotion. It also can go awfully wrong.
running cutting winter
I took four years off after 'In the Cut' because I wanted to see who I'd be without work. I even tried being a hermit in the wilderness in New Zealand. I stayed in a warden's hut two-and-a-half hours off the Routeburn Track through the fjords on the South Island. It was early winter, so there was no electricity or running water.
stories letters biographies
When I read Andrew Motion's biography, I wept. It's something about the purity of the story and how fresh it was because of the love letters Keats wrote.
piano television ends
'The Piano' ended up on television. Everything ends up there anyway.
cameras actors persona
So many actors are not open in front of the camera - they have a persona.
believe thinking treasure
I think that the romantic impulse is in all of us and that sometimes we live it for a short time, but it's not part of a sensible way of living. It's a heroic path and it generally ends dangerously. I treasure it in the sense that I believe it's a path of great courage. It can also be the path of the foolhardy and the compulsive.
violence attraction
Actual violence has no attraction for me at all.
thinking political modern
But I think it's quite clear in my work that my orientation isn't political or doesn't come out of modern politics.
people imagine i-can
I can't imagine people telling me what to do - I just can't imagine it.
problem
I have to admit that I had a lot of problems with poetry.
thinking good-movie made
I think I made good movies.