Jane Campion
![Jane Campion](/assets/img/authors/jane-campion.jpg)
Jane Campion
Dame Elizabeth Jane Campion DNZMis a New Zealand screenwriter, producer, and director. Campion is the second of four women ever nominated for the Academy Award for Best Director and is the first female filmmaker in history to receive the Palme d'Or, which she received for directing the acclaimed film The Piano, for which she won the Academy Award for Best Original Screenplay...
NationalityNew Zealander
ProfessionDirector
Date of Birth30 April 1954
people imagine i-can
I can't imagine people telling me what to do - I just can't imagine it.
sex people stories
You know, sex is actually not so original as the way people love or the stories behind each relationship, which is what you remember. Sex is sex in the end.
nuts piano people
I had this spooky psychological thing about 'The Piano' before it began, which was how everybody was going to go nuts on the set. Because a film tends to set up the way people are going to behave.
people personality style
I didn't like England. I couldn't take the look of the place or the style of friendship. I need more intimacy from people than is considered okay there, and I felt that my personality and my enthusiasms weren't understood. I had to put a big lid on myself.
mirrors people looks
For me, being a director is about watching, not about telling people what to do. Or maybe it's like being a mirror; if they didn't have me to look at, they wouldn't be able to put the make-up on.
powerful thinking interesting
I think this is interesting, us human creatures are capable of love, and it's a very powerful emotion. It also can go awfully wrong.
husband wife directors
It's harder being a woman director because on the whole women don't have husbands or boyfriends who are willing to be wives
ethos vision directors
To deny women directors, as I suspect is happening in the States, is to deny the feminine vision.
growing-up tragedy grows
Tragedy makes you grow up.
running cutting winter
I took four years off after 'In the Cut' because I wanted to see who I'd be without work. I even tried being a hermit in the wilderness in New Zealand. I stayed in a warden's hut two-and-a-half hours off the Routeburn Track through the fjords on the South Island. It was early winter, so there was no electricity or running water.
art school tails
There was a big drive when I was at art school to make you aware of the economy of meaning - after all, this was still during the tail end of minimalism. Being responsible for everything you put in your picture, and being able to defend it. Keeping everything clear around you so you know what is operating. To open the wound and keep it clean.
stories letters biographies
When I read Andrew Motion's biography, I wept. It's something about the purity of the story and how fresh it was because of the love letters Keats wrote.
piano television ends
'The Piano' ended up on television. Everything ends up there anyway.
cameras actors persona
So many actors are not open in front of the camera - they have a persona.