Jeffrey Eugenides
Jeffrey Eugenides
Jeffrey Kent Eugenidesis an American novelist and short story writer. He has written numerous short stories and essays, as well as three novels: The Virgin Suicides, Middlesex, and The Marriage Plot. The Virgin Suicides has been filmed, while Middlesex received the 2003 Pulitzer Prize for Fiction in addition to being a finalist for the National Book Critics Circle Award, the International Dublin Literary Award, and France's Prix Médicis...
NationalityAmerican
ProfessionNovelist
Date of Birth8 March 1960
CityDetroit, MI
CountryUnited States of America
My goal in life is to become an adjective,
My change from girl to boy was far less dramatic than the distance anybody travels from infancy to adulthood.
If you think of even Tolstoy or a book like 'Anna Karenina,' you go from character to character, and each section is from the third person perspective of a different character, so you get to see the whole world a little more kaleidoscopically that way. That's traditional narrative manner, and I haven't done a book like that before, but I enjoyed it.
If love were endless, if it were on tap, it wouldn't hit us the way it does. And we certainly wouldn't write about it.
The worst thing about religion was religious people.
Three times a day Petrovich showed up at the nurse's office for his injections, always using the hypodermic needle himself like the most craven of junkies, though after shooting up he would play the concert piano in the auditorium with astounding artistry, as though insulin were the elixir of genius.
Well, marriage doesn't function in the way it used to in terms of deciding our fate, but it's in our heads, and it determines a lot of our actions. Like, right now, if you think about gay marriage - and they just started having the first gay marriages in New York - it shows what a potent idea marriage remains for people.
I'm hopefully making the reader feel a lot about the characters and then about their own life.
I have a very beautiful room in my house... It's glass on three sides, and you'd think that's the perfect place to write. Somehow in that nice room I feel too exposed, and... I'm too distracted by things going on, so I end up writing in a not-very-nice office bedroom.
Some Pulitzer winners - novelists - have confided to me that getting the prize screwed them up. It messed with their heads. That hasn't been my experience.
I've never had the right words to describe my life, and now that I've entered my story, I need them more than ever.
I'd like to have a word for 'the sadness inspired by failing restaurants' as well as for 'the excitement of getting a room with a minibar.
I was aware that you weren't supposed to write about suburbia, that it was undignified in some way, the subject matter not momentous enough. And so, for a long time, that kept me from writing about it. But once I began, I realized it was just as interesting as anywhere else.
At night the cries of cats making love or fighting, their caterwauling in the dark, told us that the world was pure emotion, flung back and forth among its creatures, the agony of the one-eyed Siamese no different from that of the Lisbon girls, and even the trees plunged in feeling.