Jesse Eisenberg
Jesse Eisenberg
Jesse Adam Eisenbergis an American actor, author and playwright. He made his television debut with the short-lived comedy-drama series Get Real. Following his first leading role in the comedy-drama film Roger Dodger, he appeared in the drama film The Emperor's Club, the psychological thriller The Village, the comedy-drama The Squid and the Whaleand the drama The Education of Charlie Banks. In 2006, Eisenberg won the Vail Film Festival Rising Star Award for his role in The Living Wake...
NationalityAmerican
ProfessionMovie Actor
Date of Birth5 October 1983
CityQueens, NY
CountryUnited States of America
My job when I'm acting in a movie is very limited to playing a role. I'm not evaluating somebody. I'm only evaluating them insofar as they're interacting with me, but I'm not evaluating their skill set and I don't watch the movies, so I'm not aware of the way they're putting things together.
When you take on a role, even if the character is somebody that you are dissimilar to, you have to identify with the role and look for an emotional connection even if there is not a biographical one.
I live in New York City, where, if you're in a movie at a popular independent theater, you think you're king of the world, because you're in a bubble. So there's no way for me to properly conceive of the attention that the movie gets in a way that doesn't make me confused.
I'm kind of shocked any time somebody hires me and even more shocked any time somebody hires me to play a character like Lex Luthor, which I only knew from the public consciousness of him being a bald, brooding villain who is older than me.
To criticize Facebook is to criticize the telephone.
The only way to be turned off to being famous is to be famous.
I see writing and acting as different parts of the same continuum. Writing is better for intense emotion. If you're very angry about something, you shouldn't present it as strongly when you're acting. But if you're really angry and writing about it, that's the best way to get it out and across.
When you do a play, you have the kind of nightly feeling of accomplishment. But you also have the daily dread of the doing it every night. And because you're doing the whole thing every day, it's like climbing up the mountain every single night. With a movie it's like climbing the mountain very slowly, over months of filming.
I live in New York City, so there's so much stimulation when you walk outside, it does not require a television in the home.
In 'Zombieland,' it was such a freewheeling plot it almost didn't matter what the characters were doing scene to scene as long as there was a consistent banter.
It's so nerve-wracking to be on a set. They're the most stressful place in the world, because you're making something permanent, and there are so many people relying on you in a lot of ways.
I write plays instinctively. I don't like writing movie scripts.
As an actor, you are in a unique position because you're not only memorizing dialogue but really embodying it. You naturally feel the rhythm of good writing.
I'm no good at really anything that involves motor skills.