Jesse Eisenberg
Jesse Eisenberg
Jesse Adam Eisenbergis an American actor, author and playwright. He made his television debut with the short-lived comedy-drama series Get Real. Following his first leading role in the comedy-drama film Roger Dodger, he appeared in the drama film The Emperor's Club, the psychological thriller The Village, the comedy-drama The Squid and the Whaleand the drama The Education of Charlie Banks. In 2006, Eisenberg won the Vail Film Festival Rising Star Award for his role in The Living Wake...
NationalityAmerican
ProfessionMovie Actor
Date of Birth5 October 1983
CityQueens, NY
CountryUnited States of America
I don't have a Facebook page because I have little interest in hearing myself talk about myself any further than I already do in interviews or putting any more about myself online than there already is.
Im not on Page Six, because I dont have anything salacious happening in my life unfortunately.
It's a very strange experience to watch yourself in a movie anyway. I most frequently don't do it, but if I was going to do it, I would do it in a private way, not at a public screening at a film festival, which is just an overwhelming experience.
When you take on a role you try to do as much as possible beforehand to get your mind into it. Just to prepare because it's a daunting prospect to go six months or whatever.
Everybody feels like they need a photograph because we're in a generation where, if you don't document it, it didn't occur. So you've got to stop and take a picture with everybody.
The truth is people are very nice. The other truth is, it's very annoying to be constantly interrupted. I don't love myself enough to want to share myself with everybody.
I don't watch the movies I've been in. I try to stay as little aware of the final product as possible, because my job doesn't really change.
When you're on set you don't realize the way something is going to look since you're on the other side of the camera.
It's a really unique acting opportunity to play two roles who are not only interacting with each other, but vastly different.
A lot of times the character's experience is not in accordance with the tone of the movie and it's not really my job to account for the tone of the movie. That's the director's job.
[As an actor] you're looking to crawl into an anonymous fictional person's skin, but then you have the ironic obligation to promoting the movie in such a public way that it almost undermines the initial intention of going under the radar.
If I get no sleep the night before a show, I feel that performance is the best one.
In those moments where you're not quite sure if the undead are really dead, dead, don't get all stingy with your bullets. I mean, one more clean shot to the head, and this lady could have avoided becoming a human Happy Meal. Woulda... coulda... shoulda.
I think there's nothing more wonderful than using fiction to reflect real-world cultural ideas.