John Cheever

John Cheever
John William Cheeverwas an American novelist and short story writer. He is sometimes called "the Chekhov of the suburbs". His fiction is mostly set in the Upper East Side of Manhattan, the Westchester suburbs, old New England villages based on various South Shore towns around Quincy, Massachusetts, where he was born, and Italy, especially Rome. He is "now recognized as one of the most important short fiction writers of the 20th century." While Cheever is perhaps best remembered for his...
NationalityAmerican
ProfessionWriter
Date of Birth27 May 1912
CountryUnited States of America
I write to make sense of my life." -John Cheever, quoted in _Cheever - A Life_ (2009) by Blake Bailey
The constants that I look for are a love of light and a determination to trace some moral chain of being.
A page of good prose remains invincible.
At my back I hear the word-"homosexual"-and it seems to split my world in two.... It is ignorance, our ignorance of one another, that creates this terrifying erotic chaos. Information, a crumb of information, seems to light the world.
Admite the world. Relish the love of a gentle woman. Trust in the lord.
People look for morals in fiction because there has always been a confusion between fiction and philosophy.
I was here on earth because I chose to be.
Our country is the best country in the world. We are swimming in prosperity and our President is the best president in the world. We have larger apples and better cotton and faster and more beautiful machines. This makes us the greatest country in the world. Unemployment is a myth. Dissatisfaction is a fable. In preparatory school America is beautiful. It is the gem of the ocean and it is too bad. It is bad because people believe it all. Because they become indifferent. Because they marry and reproduce and vote and they know nothing.
That's the way I remember them, heading for an exit.
Sometimes the easiest-seeming stories to a reader are the hardest kind to write.
Alice Malloy had dark, stringy hair, and even her husband, who loved her more than he knew, was sometimes reminded by her lean face of a tenement doorway on a rainy day, for her countenance was long, vacant, and weakly lighted, a passage for the gentle transports and miseries of the poor.
The writer cultivates, extends, raises and inflates his imagination, sure that this is his destiny, his usefulness, his contribution to the understanding of good and evil. As he inflates his imagination he inflates his capacity for evil.
Everything outside was elegant and savage and fleshy. Everything inside was slow and cool and vacant. It seemed a shame to stay inside.
Never eat a heavily sugared doughnut before you go on TV.