John Ridley
John Ridley
John Ridley IV is an American screenwriter, film director, novelist, and showrunner, known for 12 Years a Slave, for which he won an Academy Award for Best Adapted Screenplay...
NationalityAmerican
ProfessionDirector
CountryUnited States of America
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In every election cycle that I can recall, there comes a moment - or a few - where charges of elitism and claims of commonness are wielded by presidential candidates like a sword and shield: 'Vote for me 'cause I'm one of you. It's the other guy who's out of touch.'
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I remember 'Roots' growing up and the cultural impact it had on the country. Watching 'Roots' was not the cool remove of reading about slavery in a book or hearing about it in class. It became something that swept people along.
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For the vast majority of those who are obese - those with a Body Mass Index over 30 - their size is their choice. They choose to take in more calories than they burn. They choose to take in high fat calories over low-fat ones. They choose to fad diet, if they choose to diet at all.
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I'm John the Fourth, so I think there's a lot of things in life that have been truly handed to me by the hard work and the pain of others.
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I've never been much of a European traveler. London once on a book tour, and Italy because that's where Ferraris are from. That's about it.
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Just mention the idea of warrantless wiretaps and expect to get hit up with a congressional investigation. But give somebody an avatar and a URL, and he can't tweet, post or hyperlink enough personal information about himself to as many people as possible.
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In the Everybody-Give-Me-A-Hug victim culture in which we live, the obese want a spot at the table along with those who face discrimination based on the way that God or Nature or our Intelligent Designer created us.
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Our touchstones of slavery are 'Song of the South,' 'Gone With the Wind' and 'The Birth of a Nation.' It's hard to separate the cinematic quality from the underlying themes. I appreciate the films, but the message was repugnant.
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Bad news: Complainers are rewarded for complaining. Indicative of the victim culture in which we live, people have not only come to expect something for nothing, but are then rewarded for how loudly they can ventilate their sense of having been victims of fraud.
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It's funny: over time, if you're fortunate, you build a nice career, and you have these interesting moments, and I would not, looking back, trade any of them - 'Red Tails,' '12 Years a Slave' and 'Undercover Brother.'
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As long as we remain committed to holding high our individuals of supreme finish, others will be inspired to loose themselves of the gravity of the waywards and downtroddens.
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Fanboys are a creator's blessing and curse. If a fanboy likes you, they love you. Obsessively. If you cross them with some plot point or story direction they reject, expect to be wholly and continually eviscerated across the Internet.
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Reactionary conservatives are smiling through the racial apocalypse. To them, race baiting is a joke, as 'humorist' Rush Limbaugh will tell you when he's calling Mexicans 'stupid.' Or it's a matter of semantics when they claim that Sonia Sotomayor is a 'racialist' which, far as I can tell, is the smooth jazz version of being a racist.
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The first Barbershop kicked the door open and said, 'Look, we're going to talk about whatever we want to talk about.' I think the responsible thing we have to do, even though it's a comedy, even though we have a lot of fun, and even though in someway we are a little more absurdist than the movies, is to recognize that just to bring up a topic for the sake of bringing it up is not enough,