John Ridley
John Ridley
John Ridley IV is an American screenwriter, film director, novelist, and showrunner, known for 12 Years a Slave, for which he won an Academy Award for Best Adapted Screenplay...
NationalityAmerican
ProfessionDirector
CountryUnited States of America
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Perhaps the single most important thing for a child is to be with a loving, supportive family. And all things being equal, any child of any race should be placed with any qualified parents without restriction or special conditions.
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I don't want an underachiever working on my car's transmission. Why would I want someone regular sitting in the Oval Office? Sorry, give me somebody who has demonstrated a capacity to excel.
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I don't really have anything against the French except that, as an American, I've been bred to despise them with the same zeal as soccer and Renny Harlin films.
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I didn't know I was a good director, and I mean that sincerely. I had done a film a long time ago called 'Cold Around the Heart.' Nobody saw it, and it didn't turn out the way I wanted to.
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Awards shows have devolved into self-parodies - liberals in limos, corny insider jokes delivered by the hosts among bad teleprompter reading from the some of the best thespians on the planet.
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Fact is, awards shows were never really about recognizing achievement. They were a publicity ploy cooked up in the late 1920s by MGM topper Louie Mayer and his newly formed Academy of Motion Picture Arts and Sciences which was itself, back in the day, nothing but a front organization to discourage unionizing.
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At the risk of sounding like that old guy in 'Gran Torino' telling those 'young punks' to 'get off my lawn,' it's gotten to the point that whenever I hear somebody talking about Twitter or twittering or tweeting, it just makes my little tummy want to hurl.
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It's not that white guys shouldn't be allowed to engage in discussions on race in America. But there's nothing more exhausting than white male liberals' dogmatisms on race that were clearly formed during a conversation they had with that one black guy they met back in college.
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With comics, you don't have to worry so much about budgetary constraints. In film and television, however fanciful you want to be, someone can come up to you and go, 'Okay, this is going to cost X amount of dollars, and we only have so many days to film this.' With graphic novels, you can have that alien invasion you've always wanted to see.
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Yes, it's hard to stay in shape, but it's also hard to raise kids. That doesn't mean you get to drop them off at your local fire station when they get to be a handful.
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Why do we cling to bigotry? Because bigotry, plainly, is convenient. It is a near-effortless way to both elevate one's stature and make a pity grab in this culture of victims that we have become.
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Why is it that the very people who have fought so hard and so long for the simple entitlement to love whom they choose to love are the very ones denied that right by those who routinely take their vows for granted?
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Facts tend to take the punch out of a good hate rant and are therefore left best unsaid.
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As a writer, as a storyteller, you have to have your emotions close, and the older I've gotten, the less I've worried about not displaying emotions.