John Ruskin
John Ruskin
John Ruskinwas the leading English art critic of the Victorian era, also an art patron, draughtsman, watercolourist, a prominent social thinker and philanthropist. He wrote on subjects as varied as geology, architecture, myth, ornithology, literature, education, botany and political economy. His writing styles and literary forms were equally varied. Ruskin penned essays and treatises, poetry and lectures, travel guides and manuals, letters and even a fairy tale. The elaborate style that characterised his earliest writing on art was later superseded...
NationalityEnglish
ProfessionWriter
Date of Birth8 February 1819
Contrast increases the splendor of beauty, but it disturbs its influence; it adds to its attractiveness, but diminishes its power.
In all things that live there are certain irregularities, and deficiencies which are not only signs of life, but sources of beauty. No human face is exactly the same in its lines on each side, no leaf perfect in its lobes, no branch in its symmetry.
Like other beautiful things in this world, its end (that of a shaft) is to be beautiful; and, in proportion to its beauty, it receives permission to be otherwise useless. We do not blame emeralds and rubies because we cannot make them into heads of hammers.
Every duty we omit obscures some truth we should have known.
A gentleman's first characteristic is that fineness of structure in the body which renders it capable of the most delicate sensation; and of structure in the mind which renders it capable of the most delicate sympathies; one may say simply "fineness of nature.
Wherever the human mind is healthy and vigorous in all its proportions, great in imagination and emotion no less than in intellect, and not overborne by an undue or hardened pre-eminence of the mere reasoning faculties, there the grotesque will exist in full energy.
The enormous influence of novelty--the way in which it quickens observations, sharpens sensations, and exalts sentiment--is not half enough taken note of by us, and is to me a very sorrowful matter. And yet, if we try to obtain perpetual change, change itself will become monotonous.
The Divine mind is as visible in its full energy of operation on every lowly bank and mouldering stone as in the lifting of the pillars of heaven, and settling the foundation of the earth.
I wish they would use English instead of Greek words. When I want to know why a leaf is green, they tell me it is coloured by "chlorophyll," which at first sounds very instructive; but if they would only say plainly that a leaf is coloured green by a thing which is called "green leaf," we should see more precisely how far we had got.
An unimaginative person can neither be reverent nor kind.
A splendour of miscellaneous spirits.
Now the basest thought possible concerning man is, that he has no spiritual nature; and the foolishest misunderstanding of him possible is, that he has, or should have, no animal nature. For his nature is nobly animal, nobly spiritual,--coherently and irrevocably so; neither part of it may, but at its peril, expel, despise, or defy the other.
A man is known to his dog by the smell, to his tailor by the coat, to his friend by the smile; each of these know him, but how little or how much depends on the dignity of the intelligence. That which is truly and indeed characteristic of the man is known only to God.
No day is without its innocent hope.