Louis C. K.

Louis C. K.
Louis Székely pronounced , known professionally as Louis C.K., is an American comedian, actor, writer, producer, director, and editor. Born in Washington, D.C., C.K. moved to Mexico City as an infant and learned Spanish as his first language, learning English once he moved back to the U.S. at age 7. He began his career writing for several comedy shows in the 1990s and early 2000s for comedians including David Letterman, Conan O'Brien, and Chris Rock. Also in this period, he was...
NationalityAmerican
ProfessionComedian
Date of Birth2 September 1967
CountryUnited States of America
You have to be really tenacious. You have to keep at it. There are many roads to get there. If you can get yourself into Harvard, that's a good way to go, because every Harvard graduating class, the agencies come trolling around and they'll look for you. So if you go to Harvard, you'll get found there.
Everybody is different. Some comedy is more musical like Steven Wright. His is a pillar of comedy to me. He invented a whole form and all his jokes are poems. So it's different. I wanted to do it like George Carlin. Now I do it like me.
It's easier to cancel a show if it's expensive.
I could never sit down and write jokes.
There's a need to perfect things in a writers' room, and that can take a lot of fun out of a show sometimes. It's a struggle. It depends on your personality. Some people love working with a writing staff. I had a great writing staff on Lucky Louie, but it sometimes felt like Congress or something.
Sometimes I just want to tell a story regardless of whether it fits what the show is saying. I've been in a lot of writing rooms where somebody says an idea and everyone's dying, like laughing so they're delirious. It's like a black hole in a good way, everything starts to fall into it, you know what I mean.
You could drive a rental car until you don't want it. Just get out of it while it's moving and just walk away. No, I don't feel like being in that car any longer. Just call Hertz. Hi, your car is drifting into the intersection of 28th and Broadway, if you're interested. It's now your problem.
I like being full, every day, with stuff that I have to do.
One time, I threw a candy wrapper on the street. I was with a friend who said to me, You just littered on the street! Don't you care about the environment? And I thought about it, and I said, You know what? This isn't the environment. This is New York City. New York City is not the environment. New York City is a giant piece of litter. Next to Mexico City, it's the shittiest piece of litter in the world. Just a pussy, runny, smokin', stinkin' piece of litter.
I can feel how an audience is reacting when I'm on a stage, but when you are on stage, your perception is distorted. That's something you just have to know. It's like pilots that fly at high Gs and they lose, sometimes, consciousness and hand/eye coordination and they just have to know that that's going to happen. They have to be trained to not try to do too much while they are doing that. So when you are on stage, you have to be aware that you are wrong about how it feels a lot of times.
There's nothing that beats proving you're funny by making a funny thing, and right now there are huge outlets for that, with You Tube and all the other stuff online.
Plenty of crazy people in New York. There are so many crazy people here, I think it's like one out of every one person is completely out of their mind.
We have white people problems in America. You know what that is? That's when your life is amazing, so you just make stuff up to get worried about.
The Jackass movies are honestly some of the best movies I've ever seen. I laugh so hard at them. Those guys are geniuses. If they had grown up with a different group of people, they could've been performance artists at Bard College, and people would be writing papers about them.