Lynsey Addario
Lynsey Addario
Lynsey Addariois an American photojournalist. Her work often focuses on conflicts and human rights issues, especially the role of women in traditional societies...
NationalityAmerican
ProfessionPhotographer
Date of Birth13 November 1973
CountryUnited States of America
car covering driver injured insurgents kidnapped near occupation taliban
I was kidnapped by Sunni insurgents near Fallujah, in Iraq, ambushed by the Taliban in the Korengal Valley in Afghanistan, and injured in a car accident that killed my driver while covering the Taliban occupation of the Swat Valley in Pakistan.
assumed case connect consumed covering home troops wars wrongly
I just immediately connect everything to the wars I have been covering overseas, and that's not the case back home. I wrongly assumed all Americans at home were as consumed with our troops in Afghanistan as I was abroad.
aside covering domestic generally relates stories war
I generally don't follow domestic news that much aside from how it relates to the stories I'm covering abroad, like what Americans think of the War in Afghanistan.
beauty choose experience learned peace people remember war witness worst
As a war correspondent and a mother, I've learned to live in two different realities... but it's my choice. I choose to live in peace and witness war - to experience the worst in people but to remember the beauty.
covered fall returning states taliban three time trips united war
By the time the United States went to war with Afghanistan in the fall of 2001, I had made three trips to the country. I covered the fall of the Taliban in Kandahar and have been returning routinely for the past 14 years.
areas covering life mean places shot time war
My life isn't always at risk, even if I'm in a war zone. A lot of these places have areas of calm, so covering war doesn't necessarily mean being shot at all the time.
affected looking margins people quieter strength war
My strength is looking for composition and light, and I think those things come in the quieter times of war or photographing people affected on the margins of war - civilians, refugees; that is where I really excel.
basically continue directly figure front iraq places rife south sudan war work
I wanted to continue doing my work, but I had to figure out how. And so what I have basically come up with is that I still go to Afghanistan and Iraq and South Sudan and many of these places that are rife with war, but I don't go directly to the front line.
places subject war
Most people, when they meet me, one of the first things they say is, 'Why would you voluntarily subject yourself to war? Why would you go into these places where you know there's a risk of getting killed?'
access colleagues male muslim population since wars
Since Sept. 11, many of the wars of our generation are in the Muslim world. So as a woman, I have access to 50 percent of the population that my male colleagues don't.
ages dwell experience move sit
I'm not the kind of person to sit and dwell for ages on something that happened. I go through something, I experience it, I try to learn from it, and I move forward.
bloody constantly figure people trying
As a photographer who is constantly in violent, bloody situations where the instinct is to turn away, I am always trying to figure out how to make people not turn away.
carried high hobby school somewhere
I never went to school for photography and started when I was pretty young. I was somewhere around 12 or 13. I started photographing as a hobby and carried that hobby through high school and university.
communion gone holy raised since
I'm not very religious at all - I was raised Catholic, but probably haven't gone to church since my Holy Communion when I was about 6 or 7.