Matt Will
Matt Will
real moving eye
Before the days of video village a director should stand right next to the camera, look with his naked eye and if he sees something that is real to him, he'd look up at the [camera] operator and if he gives the look to indicate he'd seen it to, then you print and you'd move on.
acting nerves stories
Most films and directors lose their nerve and want to indicate [emotions] a bit more, to show that their story is clear. I'm not saying that's a good thing; as an actor its anathema to good acting, but to have someone with the confidence to say that should I be utterly natural and minimalist is great.
character mean fighting
I usually play characters that are a lot different than me. I mean, I'm never in a fight in a movie and if I'm in them, I'm usually losing.
country thinking agency
I think it's something that the citizenry needs to be vigilant about - participating in democracy, and that includes issues like what's going on and how much secrecy and transparency there should be. That's an on-going thing - in a democracy you want checks and balances and oversight, but you need a covert agency to protect the country. It's a very tricky balance and I think it changes as the world changes and I think we all need to be mindful of that.
crazy simple thinking
People do things in the names of good, and in the name of ideals, but the world isn't that simple. So they end up doing things that aren't necessarily good. Even if they think they're doing the right thing, but when viewed from a different perspective they can look barbaric and crazy.
writing play theatre
The whole thrust of theatre is different, just because the writing is so much more respected in a play. Whereas in movies - and having been the writer, I can say from experience - the writer is lower down on the food chain.
social-values actors feels
As actors, we react to the material that's out there, and I probably just react more strongly to things that I feel will have some social value.
talking community hopeful
And you know, we were talking about American identity, and where we've come from and where we are and where we're headed. We knew that we wanted to have a hopeful ending and we wanted it to be pro-community, and a pro-democracy type of movie.
looks done directors
Oftentimes when I'm deciding to do a movie, the main thing is really, that I look at, is the director. I've come to feel that more and more. The more movies I've done and the older I've - the more experience I have, I always knew it was a director's medium, and I always said that.
decision arbitrary directors
The director's in charge of every single decision [in film]. It's a dictatorship.It's a benevolent dictatorship, but it's true. It's every single shot. There's nothing arbitrary.
jobs decision parent
All parents are trying to balance. Look, I'm lucky in the sense that I can control my hours. I can choose my jobs, and not everybody has that choice. But I definitely, it's a family decision every time I take a job.
pieces projects term
It's intuitive in terms of when I read a piece of material or I hear about a project. I'm a writer, so I've written movies. I've read at this point thousands and thousands and thousands of screenplays. So if something gets me, then I don't ignore that.
giving magazines want
The ideal life is you don't sell a single magazine, nobody's interested, but they want to come see your movie. Because that gives you true freedom.
writing thinking ideas
If there's an idea I think is really good and I feel like I can write it, then I'll do it.