Nicholson Baker
Nicholson Baker
Nicholson Bakeris an American novelist and essayist. His fiction generally de-emphasizes narrative in favor of careful description and characterization. He often focuses on minute inspection of his characters' and narrators' stream of consciousness. Baker has written about poetry, literature, library systems, history, politics, time manipulation, youth, and sex. He has written about libraries getting rid of books and newspapers and created the American Newspaper Repository. He received a National Book Critics Circle Award in 2001 for his nonfiction book Double...
NationalityAmerican
ProfessionNovelist
Date of Birth7 January 1957
CityNew York City, NY
CountryUnited States of America
The equivocations, the confusions, the contradictions. There's no way we can live through or comprehend something so big that happened so long ago. We've lost true history. But if we are willing to tolerate the contradictions, and if we suffer through events rather than ticking them off, we may at least get closer to understanding what happened than if we grip the handrail of a carefully polished and reassuringly heroic narrative.
Footnotes are the finer-suckered surfaces that allow testicular paragraphs to hold fast to the wider reality of the library.
The force of truth that a statement imparts, then, its prominence among the hordes of recorded observations that I may optionally apply to my own life, depends, in addition to the sense that it is argumentatively defensible, on the sense that someone like me, and someone I like, whose voice is audible and who is at least notionally in the same room with me, does or can possibly hold it to be compellingly true.
When the excessively shy force themselves to be forward, they are frequently surprisingly unsubtle and overdirect and even rude: they have entered an extreme region beyond their normal personality, an area of social crime where gradations don't count; unavailable to them are the instincts and taboos that booming extroverts, who know the territory of self-advancement far better, can rely on.
I’ve always thought of myself as shy,
Perforation! Shout it out! The deliberate punctuated weakening of paper and cardboard so that it will tear along an intended path, leaving a row of fine-haired pills or tuftlets on each new edge! It is a staggering conception, showing an age-transforming feel for the unique properties of pulped wood fiber.
It's true that I don't rearrange that much in the fiction, but I feel if you change even one name or the order of one event then you have to call it fiction or you get all the credits of non-fiction without paying the price.
Sometimes, despite the fact that you're reading through masses of material, you just can't not think about a certain event, for it seems to capture the reality of the entire situation so much better than any set of statistics.
You can tell it's a poem because it's swimming in a little gel pack of white space. That shows it's a poem.
So what rhyming poems do is they take all these nearby sound curves and remind you that they first existed that way in your brain. Before they meant something specific, they had a shape and a way of being said. And now, yes, gloom and broom are floating fifty miles away from each other in you mind because they refer to different notions, but they're cheek-by-jowl as far as your tongue is concerned. And that's what a poem does. Poems match sounds up the way you matched them when you were a tiny kid, using that detachable front phoneme.
There's something paralyzing about being a writer that you have to escape. I don't want to think of myself as a guy who's written a bunch of books. The 26 letters distance us from our own hesitations and they make us sound as if we know what we're doing. We know grammar, we know prose, but actually we're all just struggling in the dark, really.
Sometimes I'll spend an hour writing a tiny email. I work on it until I've created the illusion that I've dashed it off in three minutes. If I make a typo, I let it stand. Sometimes in fact I correct the typo without thinking, and then I back up and retype the typo so that it'll look more casual. I don't know why.
In my case, adulthood itself was not an advance, although it was a useful waymark.
Writing has to do with truth-telling. When you're writing, let's say, an essay for a magazine, you try to tell the truth at every moment. You do your best to quote people accurately and get everything right. Writing a novel is a break from that: freedom. When you're writing a novel, you are in charge; you can beef things up.