Nicholson Baker
Nicholson Baker
Nicholson Bakeris an American novelist and essayist. His fiction generally de-emphasizes narrative in favor of careful description and characterization. He often focuses on minute inspection of his characters' and narrators' stream of consciousness. Baker has written about poetry, literature, library systems, history, politics, time manipulation, youth, and sex. He has written about libraries getting rid of books and newspapers and created the American Newspaper Repository. He received a National Book Critics Circle Award in 2001 for his nonfiction book Double...
NationalityAmerican
ProfessionNovelist
Date of Birth7 January 1957
CityNew York City, NY
CountryUnited States of America
Footnotes are the finer-suckered surfaces that allow testicular paragraphs to hold fast to the wider reality of the library.
As soon as you start doing that - changing things - it seems self-evident to me that you've entered the world of make-believe. If you pretend that it's true, and use your own name, you are misleading people. Fiction is looser and wilder and sometimes in the end more self-revealing, anyway.
There is no good word for stomach; just as there is no good word for girlfriend. Stomach is to girlfriend as belly is to lover, and as abdomen is to consort, and as middle is to petite amie.
In my case, adulthood itself was not an advance, although it was a useful waymark.
I’ve always thought of myself as shy,
In the novel, I can change things and simplify, and make events work towards whatever meanings I'm trying to get at more efficiently.
You almost believe that you will never come to the end of a roll of tape; and when you do, there is a feeling, nearly, though very briefly, of shock and grief.
If you write every day, you're going to write a lot of things that aren't terribly good, but you're going to have given things a chance to have their moments of sprouting.
The question any novel is really trying to answer is, Is life worth living?
Writing has to do with truth-telling. When you're writing, let's say, an essay for a magazine, you try to tell the truth at every moment. You do your best to quote people accurately and get everything right. Writing a novel is a break from that: freedom. When you're writing a novel, you are in charge; you can beef things up.
Sometimes I think with the telephone that if I concentrate enough I could pour myself into it and I'd be turned into a mist and I would rematerialize in the room of the person I'm talking to. Is that too odd for you?
Friends, both the imaginary ones you build for yourself out of phrases taken from a living writer, or real ones from college, and relatives, despite all the waste of ceremony and fakery and the fact that out of an hour of conversation you may have only five minutes in which the old entente reappears, are the only real means for foreign ideas to enter your brain.
Until a friend or relative has applied a particular proverb to your own life, or until you've watched him apply the proverb to his own life, it has no power to sway you.
Wikipedia flourished partly because it was a shrine to altruism.